The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
7.5/10。想象力爆炸,新酱永远是最坚强的勇者。
从来不会让我们失望的小新,每一部剧场版都在教大人如何做人做事!
前面那头猪是在太讨人厌了,后面即使给它洗白也接受不了
7.5分
因为不想再跟任何人分开了,555。自由自在的力量可以让王国飞起来,555555!
大型幼儿团结协作宣传片,留下童年的恐慌与不解。
好像比上一部好看,猜中套路,迷惑中带有鬼畜和感动,新酱依然是不流泪的勇者,美伢戏份太少,还是喜欢看他们家庭琐事些
整个片子到了一半还游离在主线之外,注水严重。不喜欢这一年的剧场版
稍逊之前的蜡笔小新 不过还是很好看!漫画一贯的动感
“没有,没事啦。”
心情不好的时候就要看小新 心情好更要看小新
我印象中每部剧场版的OP都是粘土,只有这部换成了蜡笔,喻意也很简单,蜡笔小新要有蜡笔,现在的时代已经是电子产品的时代,多小的小孩都会使用电子产品,手机以是人们不得不用的玩意。
好喜欢久野遥子参与的设计,但是故事太不行……
比19年的好看,有泪点也好笑。夹杂着些真实
近些年来最棒的一部剧场版,全春日部一起涂鸦赚足了眼泪,卧槽我是不是多少岁看小新都得每年哭一次阿。
真好啊,把主题定为追寻快乐和自由,还能这么具象化
后半小时真是好几波催泪喔
我左右上下仔细看了,写着几个大字:我真的老了,电波都对不上了(和哆啦A梦一样的剧情,套到了小新身上总觉得像跑错片场——)
剧情简单 过于土嗨
继大人帝国之后最佳一作!!!!!满分好评!!!!!
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