With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
很平庸，显得十分的墨迹，非常的低领向，力求夸张的人物塑造和简单的剧情冲突，偶尔有几个笑点（或者说我笑点高）。
集体罪行在哪都是无解的，看似是以保护为名的电车难题，实质还是排他的自私
只看过1，而且已经基本忘了内容是啥，但还是乐得前仰后合。也许是我心情愉悦时笑点特别低？现在好像对这种公式化的片子容忍度大了不少，都出到4了，公式化简直太正常不过了，难度在于当大家都知道是什么故事时，能把逻辑顺清楚，把故事讲好。我觉得已经做得很不错啦~
下一集可以拍酒店的改革创新了hhhh
为了两个小朋友的未来，全村人一起毁掉了一个家庭，呵呵。人年纪大了自然就不再年轻貌美了。挺一般的，也不像电影。
没什么电影感。但是太喜剧太好笑了，真的几乎从头笑到尾，冷笑话果然好评！！！西岛叔又演寡夫了啊，帅死谁了！
剧情平平无奇，过程也比较没有新意，但是个情怀吧，最后那点还是有被感动到。
作为精灵旅社系列的结局总体还是要看下的！虽然前三分之一的部分会让人感觉台词无聊、节奏拖沓、制作偷工减料等等，但是后面开始，还是继承了这个系列一贯的大脑洞、丰富设定、和欢乐的风格！这也是我爱这个系列胜过迪士尼的原因！眼花缭乱又不胜其烦！拜拜👋精灵旅社！
本来很不错的哥特风动画，做到现在这样无话可说就真的……很没意思。
中规中矩之做。
其实是比较长的电视剧，像是把两集合并成一集的样子。比较偏本格推理的氛围，案件拍得不错，就是常规带bug，所有人都发现不了，只有男主能发现。前两季女主出来走了个过场。男主依然演技一般。
闹腾到满屏尴尬，虽然翁婿二人这一部里面互相体验了对方的身份，最后冰释前嫌给这个系列画上了个句号，但是，为了搞笑而搞笑的各种情节真的很无聊，笑不出来啊，为了情怀，多给一颗星，最好看的还是一二部。
还不错啊，就是我太瞌睡了，醒来就大结局了。
很多剧版的角色客串也算是穿插小彩蛋，作为剧集电影版合格了。
就…大屏幕看了一集电视剧，近距离观赏松本润的睫毛
没有太大的，嗯，吸引人的点
依然是欢乐搞怪无厘头的风格，作为整个系列的结局，有点拉，但还是舍不得。
吸血鬼女儿惊艳到我了，好喜欢她黑色的嘴唇。
但是只有78分钟的正片，也太简短了吧。
4月12号 买错了票 看成了国语配音 和博古
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