剧情介绍

Set in both the late 80's and current day, "Back in the Day" is a gritty tale about Anthony Rodriguez (William DeMeo), a half Italian - half Puerto Rican young teenager growing up on the streets of Bensonhurst, Brooklyn; a then very dangerous and racist neighborhood filled with bullies, big shots and social clubs where all of the neighborhood shots were called. Anthony had to endure an abusive, unemployed, alcoholic father but was blessed with a nurturing, hard-working mother who he loses at a very early age and is devastated by it. In spite of his bitterness, he struggles to uphold the morals his Mother taught him and retain his dignity in spite of being up against all odds. He is taken under the wing of a local mob boss, Enzo DeVino (Michael Madsen), who supports Anthony's wishes to escape his demons through the sport of boxing. Enzo connects Anthony with a trainer (Danny Glover), who means business, and turns Anthony into a contender although his troubled life and friends, who seem to always get him into trouble, hinder his career. As he journeys into adulthood with the nearly impossible goal of achieving a successful professional boxing career, Anthony manages to not only go pro, but literally fight his way to the top and become a world champion middleweight boxer at an unlikely age. But not without love, loss of love, humiliation, retaliation and revenge playing roles in his journey to the top. But when he finally does make it to the top, who will be left of anyone Anthony has ever cared about, to share it with? And who will be left to get in the way of Anthony's success, and living his dream?

评论:

  • 让静枫 4小时前 :

    【C+】倒也没必要过度执着于符号的意义,最后十分钟的脑内幻想蒙太奇已经把整部影片要讲的东西给捋顺了,某种程度上可以看作对之前神秘氛围的一种背叛。核心主题与《鬼魅浮生》类似,个体在旅途中丧失了自我,迷离于时空尺度,直至寻求定义才能重获新生。钟意A24那独特的视听美学,但在本片里只是用于营造高雅幻想的手段,实质仍是破碎残缺的闪亮碎片。

  • 竹绿凝 1小时前 :

    画面不错,开始一直比较吸引人,但是后面越来越看不懂。

  • 泰念真 6小时前 :

    顶多给五岁以下简单的小朋友看看了!这是按照提纲拍的吗,剧本太弱太弱太弱!看的犯困!电脑狗狗再怎么卖萌也救不回来!

  • 雍曼彤 0小时前 :

    这部前段的青灰色黑白色调让人很难不想起伊斯特伍德的那些黄灰色调片子,我的理解是岁数大了眼睛不好,辨识不了黑白里灰度。两段故事——骨灰还乡和少年杀人联系勉强,用皮兰德娄个人生涯做个串联,缅怀一下意大利战后重建的年代,也算是两兄弟的青春时代了。只是一篇内容轻飘的悼文。

  • 逸祥 9小时前 :

    中世纪成长公路片,妈咪用心良苦。影像是十足的A24风格。

  • 蓓枫 5小时前 :

    看的时候就能想象得到各种“影评人”的吹捧和对各种(并不晦涩的)隐喻的解析。做作到尴尬。

  • 百旭鹏 8小时前 :

    以后这样的作品能不能不要再进主竞赛单元啊,够浪费时间的,意大利电影有时候真的很踩雷

  • 竺涵衍 3小时前 :

    运送作家路易吉·皮兰德娄的骨灰回到他的家乡西西里,只是全片的楔子,陡然变换画风的第二幕小品才是真正的灵魂所在。镜头的轮转间使用了大量历史影像、其它影片的片段,从而产生了奇妙的环境作证。保罗·塔维亚尼用整个过程记述着人们对死者的真实态度,伟大的作家再塑碑立传也不一定会被铭记,而由你亲手促成的坟墓才会一生难忘。整部影片也相当精准地纪录着,二战前夕到现如今意大利人的生活变化。大师级的极简影像之美。

  • 澄忆枫 9小时前 :

    这是一部教育儿童做个有个性、充满爱心的人的影片。

  • 钰俊 3小时前 :

    3.7分。

  • 驹咏德 5小时前 :

    别有韵意-08/04/21 at Garden State Plaza 16

  • 盘飞槐 7小时前 :

    还你泥马了戈壁的骑士精神呢,这不是中世纪了,沙雕文艺青年还搁这自嗨呢。。要说故事新编,看看咱们鲁迅的

  • 羿倩雪 0小时前 :

    表以是对经典头韵文学与骑士精神的解构与重塑,实则却更像是仅对“断奶”情结的一次进阶版奇幻演绎,高质量置景艺术的鬼魅表现力,也因大量过于服帖中世纪照明水平的夜戏室内戏,而让按图索骥式的阅读成本累增,观者对高文心旅情绪的捕捉始终受其干扰与影响,不断呈现疲乏态,究其因,不过是一部自离开剧场便已“黯然失色”的风格之作

  • 曦枫 4小时前 :

    “东方人看这个片子相当于毕赣拍了部沉香救母给西方人看”

  • 矫雁荷 4小时前 :

    你一生的故事。不乏一些时间性命题,整体仍然是在走流程,怎么还有人解析这种片啊。

  • 晨晨 0小时前 :

    Il fu Luigi Pirandello, 已故的皮兰德娄,“指导我们行为的准则来自于坟墓和死亡。”

  • 秦觅云 4小时前 :

    文本过于私人,看得一知半解,但阻挡不了我对大师级手笔的它的喜爱。在走向海滩撒掉骨灰,由黑白转入彩色,似乎到这里已经是导演私人创作的圆满,但最后掌声响起,镜头定格在顶上的圣像画才是给大家一个戏剧的落幕。#2022十佳。 @2022-06-18

  • 箕痴瑶 0小时前 :

    17世纪初被塞万提斯批判的骑士文学,到21世纪也不会生出什么新的营养。6

  • 祁似爨 3小时前 :

    太美,拖沓得都这么美。最后竟然是《基督最后的诱惑》那样的寓言。die a knight or live a coward. 中世纪电影就应该拍成这样吧。

  • 瑞晨 1小时前 :

    标准的儿童电影,可可爱爱的,社区里的人也都很温暖可爱,治愈电影

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