This is a budget action film. Some people seem to think that low budget means that bad acting and worse action scenes are excusable. Anyone whose seen a really good budget movie will know that there's really no excuse. All directors have to start somewhere of course, but this director wont be going anywhere, in my opinion. The acting in this film is truly awful. There's not much I can say to redeem it. The mood of the film flicks between over-serious and Benny hill trash comedy (an apparent attempt to reproduce the comedy style of some Japanese action films, which doesn't work). The car chase being a good example; what the hell is with the stupid music and unfunny attempts at comedy when the rest of the film is trying to be serious?!. It makes no sense and gives the feeling that the director was either high, a clueless student, or both. There are some hot babes in the film but nowhere near hot enough to make the bad acting bearable. Bas is a hero to any fighting fan but I'm afraid to say his appearance is so short I can't even recommend the film to his die-hard fans. A previous reviewer forgave this film's misgivings giving it 8 stars, and I can understand that there are times when budget movie-trash is sometimes a good laugh, but there are so many much better budget films than this that I can't find it in my heart to recommend it to anyone other than the directors mum.
CFA在我这里的位置很尴尬，甚至我觉得它有些外百老汇了。为了me and the sky还是加一星。
短小精悍的独幕音乐剧，群戏很过瘾，在911事件的20周年之际，因为疫情出了流媒体线上的官摄版。小岛是纽带，在大西洋的边际，去链接那些迫降的人们，普世意义的互助与爱再次被唤醒。挺喜欢《Finale》里的一句歌词“Tonight we honour what we lost/but we also commemorate what we found”911后20年的故人如此，身陷疫情困境的今人亦如此。
无与伦比的舞台艺术，12位演员，精彩绝伦。
管他什么主题，歌舞剧没一首能听的歌就是犯罪。太无聊了。汉密尔顿那种是勉勉强强能看下去的基本参照物好吗，无语，这种戏也会有人买票么，钱也真好挣。
真的全程爆哭，我的眼泪不值钱。故事结束到如今又是十年过去了，希望在下一个十年结束的时候我能给这个世界贡献再多一些的善意。
真的很厌恶女主角这种人但也觉得她很可悲。这样的性也很可悲，我个人看来。
PS，教科书般的舞台调度、转场，官方版的镜头、角度切换，再加上好的故事名垂青史不过分
911事件20周年官摄。芝麻切口的恢宏巨作，固定场景的万千变化，单时间线的犬牙交错。用相当简单的故事写实了打破国别民族宗教文化性别生物隔阂的大爱，编剧跪服。一想到这个故事在世界上真实发生过，不禁对人类多了一分信心。
此刻，enjoy the pleasure 足矣
疫情解封后的百老汇音乐剧+911 20周年纪念让这部作品天然意义非凡，相比《汉密尔顿》讲述美国国父背后的男人的丰功伟绩，《来自远方》展现了加拿大纽芬兰岛民的力量与善意，it's a celebration of humanity，这是对普通人的赞歌。
简直太棒了！！每首歌响起的时候都想哭！啊有官摄简直太幸福啦！好清晰好近的镜头！！请把那些经典都拍一遍好吗！！把这些可爱演员的最佳状态留下来呀！呜呜不知道还能不能看到现场啊！
You’ll be a Newfoundlander. Welcome to the Rock.
一切皆为一流！（我他妈绝对手贱点了片名下面的“近期冷门佳片排行榜”！）
看了一半实在忍不下去了。americanism epitome and condescending PC. 用圣经与黑人交流的桥段令人反胃
8.0/10.0 心脏外科医生好性感嘤嘤嘤～
通过CFA看到了苦难面前人们不计一切的互帮互助，也在这两年看到了数以万计这样的例子，不管怎样，“永葆热爱，永怀善良，永远温柔”仍然是我们面对残酷最好的武器。
作为一个女性，对这部片子的感受绝不是简单几个标签能概括的。艺术性上并不值得五星（有些情节过于强调符号意义了，反而略显刻意），可是社会意义更大。爱玛汤普森绝对我辈楷模。
此刻我们说着相同的语言，哇，那一瞬间觉得信仰好伟大。陌生人释放善意而产生的羁绊真美好
一个狭小的场地进行广大空间的叙事，人多而不杂乱，事多而有序井然，第一次看到这样的舞台剧，没有繁杂的舞美，没有奢华的舞台，而演出了精彩的故事，大开眼界，大吃一惊！佩服佩服！
一幕缩影，一段回忆，一个出口，一丝慰藉。
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