"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
“他又回来了”，“他又没过气过”，“确实”
西班牙，福尔托尔角悬崖，一起入戏一起跳崖
三星半 剧本一般笑料一般但是看得津津有味因为凯奇的魅力实在无法挡，各种经典老梗最好笑还是乱买东西的设计，最后，吴确实是大师。
对不起才发现凯奇的嘴巴张不开然后从注意到的那一刻开始就困扰着我 说实话他演技实属没问题但是这个剧本定位太浪费了 重申一遍brotherhood要不得 妹子们都挺漂亮 勉强能当度假片看（？
二十年后找艾米汉莫出演哈尔乔丹拍摄中年危机绿灯大电影的我：He’s just right! 🫵
能到自讽出一部电影的程度也不知道是演员的幸运还是悲哀呢?
心里分数是3.5分，但是发现凯奇哥已经很多年没有拍过超过7分的电影了，私心还是给了四星。没有一个影迷可以绕过凯奇，但是他演自己的时候，我们仿佛看到了一个中年无力的自己
有点失望，并不是为凯奇量身打造的剧本，换个演员改改剧情依然没差。
口水戏。虽然每多自黑，但还是太哆嗦。
在人生180°转弯时，还有这么多人愿意作伴嬉笑怒骂，已经是人生赢家了。
Nick fucccccccccccccccccccccccccccccccking Cage
影片最大的反转就是这个戏中戏了吧，所以当已经猜出这个时候观感就下降了很多。但这个情怀我还是买帐的，而且影片足够有意思。
尼古拉斯·凯奇写给自己的一封情书。
戏里戏外还是一样浮夸。同样“演自己”，还是之前的尚格云顿更诚恳一些。
讲真有点失望，以为会是疯狂的洒狗血用烂梗来调侃自己，结果有趣的部分其实并没有想象中多，几乎预告片里全都剪进去了。其余的部分优点四不像，也不知道是要表达温情还是想做什么。剧情本身是极不合理的，属于仍需打磨，目前的成品质量放到喜剧片的架构里还是有很多问题。
拍了部烂片然后说这片是片中片也没法摆脱自己是烂片的现实 这么个好的点子创意就这么糟蹋剥削掉了
同样是凯奇的“自我致敬”，远没有《曼蒂》设计得精巧。
应该算是凯奇近十年最好的电影了吧，相当于凯奇本人参加了一次以自己从影经历为主题的冒险真人秀，其中的自嘲与回顾，挺有味道。
小妞那板牙一看就像凯特贝金赛尔，一查果然是她的女儿
看着凯奇叔卯足了劲的十分努力，却还没佩德罗演得灵活毕现。此时非彼，英雄暮色，难焕风采。在一系列致敬的桥段中又梦回当年的辉煌，hhh曼蒂真的算masterpiece吗？无论如何，nick从未离开，一直陪伴，期待下一部！
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