Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
看完闭幕式就来二刷狙击手了，被闭幕式震撼到也被狙击手震撼
每一段都像在拍结局，导致这个情绪延到最后相当于没有。反正和这些年的国产战争片一样刻意，一样有bug，一样一味的歌颂英雄。真的受够了，毫无剧情可言，浪费我人生的一个小时。
特效是网大的味儿，旁白和高潮是冯小刚的味儿，抒情是张艺谋的味儿
对了，我方子弹特效太多，稍有神剧之嫌，引起不适。扣一星！
以小见大，以短见长。没有大的场面也没有多么复杂的剧情，一场极小规模的遭遇战。看的让人激情澎湃，热血沸腾。几乎没有太多的调度和走位，全片大部分的内容也都在一个场景下完成。看似简单其实非常考导演功底，不过张艺谋正常发挥还是很稳的完成了。希望春节档可以在重压之下有好的发挥。
如果子弹那个特效少一点就好了，我方拿人头每次都出现那个特效有一点点尴尬
最冷的枪这名字多好啊，非得改了个狙击手，又俗又土
多出的一星真得感谢同行衬托。过于喜欢以小见大的故事了。章宇牛逼，小演员牛逼。还有评论区，雪怎么你了。以及同场某大叔理直气壮的说摄屏违法那你报警啊，害得我不想因为被毁了心情连片尾曲都没听就走了，诶有点遗憾。
故事感觉没有叙述完整，尤其是班长笑的伏笔完全没有了结，逻辑上也不是太能禁得起推敲，但这并不能否认，电影的燃表达得很好，章宇可真的是太可了！
两具遗体就躺在小山谷里，并且是遭到伏击牺牲的。从地形来看，五班占领了一面山坡，对面山坡情况不明。稍有军事常识的人都会明白，此时应该首先占领对面山坡，控制制高点，在确认没有敌情后再派人去搬运遗体。”
喜欢双方对狙的拉扯博弈。
终于有一部能看的抗美援朝的电影了…只要让章宇说上四川话他就是中国最好的演员之一
狙击题材总是吸引我。刚得知拍这个片以为是讲世界狙击排名第一名张桃芳，但不是。个人非常喜欢这个抗美援朝的局部故事，我看到通篇其实讲的是两个词：“奉献”和“传承”。国师把民族精髓把握得非常好。继续期待以后会有讲张桃芳战场传奇的好的好电影吧
建议所有执着于拍3个小时的导演们都学学怎么在96分钟里讲完这么完整的故事的 人物群像拍的好好 被惊艳到了
致敬背后真实的志愿军，但这片拍的真的没啥意思，情节套路，狙击场面毫无紧张感，煽情全靠唱歌
相比宏大叙事聚焦到一场战争中更容易体会到紧张感 这个体量让观影感没有那么疲惫 但老谋子对节奏的把控确实能让人全神贯注 美军的形象终于丰富起来了
“为了不能忘却的纪念，为了带你回家的诺言！”
之前跟朋友聊天，也很怕狙击手出现神片的感觉，但是真的没有！！对外国对联 合 军也给到了尊重，没用靠丑化去展现。
电影叙事过于回合制，搞得每过一轮我都不由在心里默默计算敌方与我方战损…
张艺谋导演这次聚焦于战场一隅角落，围绕一小群人物展开刻画描写，以小见大，超强运镜，有国际大片的感觉，不愧是老谋子
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