Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’
The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
怎么说的，整个观影过程非常沉浸式地替双方害怕被发现，一看到她俩开始亲密就忍不住想帮她们锁门关窗拉黑幕。从小被洗脑长大，真的很难改变，但是能不能用魔法打败魔法？本be爱好者其实期待女主最后说一句:我已经有女朋友了(。
烧女后比较喜欢的一部，宗教背景下的禁忌之恋（爱的力量很强大，让她们彼此爱上；爱的力量又不够强大，让她们在爱里分离），谁不爱青春期的悸动啊…厕所的背后抱，夜晚的背后抱，不放我走吗，浴缸洗礼，车内潮湿的吻…在Jamie身上看到自己的影子，但多年过去，生活截然不同的两个人，彼此仍记挂彼此的爱情难寻。
You should have been there🥲
其实同性片大多有一个问题，即两个人在一起的动机太像帅哥美女因颜值互相吸引一样，感情线还是有点弱。
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最后几分钟很好哭 虽然到不了四分 但同样是校园青春片 可比真心半解好看和细腻太多了
情感上沒什麼relate的，真的很難想像可以這麼久愛著一個人否定一個人。太瘋愛情我不配有。
虽然是女同片，但我第一次更希望女主和小黑在一起，玩变形金刚的孩子都是好孩子。
封面真的可以代一下🤤
两个人拉扯的情绪刻画很入微了
信仰真是一个很奇怪的东西…btw女主真的很适合演t
特儿好帅啊。特儿好帅啊。内特也好可爱啊。除此之外，不知道这部有什么可取之处。
加拿大美景加加加分，宗教这段真的有点……无法接受……
？尬得跟打了甲亢似的 且不断胡乱塞一些幼稚园bgm
前面日式笑点的部分还不错，竟然把握了一丢精髓，但后一个小时进入原创就完全失控，强行网感强行抖音强行阳刚强行齁太恶心了，千言万语光线不行。
摸着你的手抱住，偷偷牵起你的手并摩挲，加重的呼吸，红晕的耳廓…
很有烧女的感觉。“I think about you all the time, about us, do you?”“everyday.”这一句直接全片升华。
理想中，新世界到来之际，“We can live forever.”
PS.女主的阿姨真的是一个非常温柔且温暖的人。
不打算放我走吗 厕所那段从后面抱住的热烈和克制 我心慢了半拍
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