Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
有版权就是大佬大佬！！爱怎么搞怎么搞！！！这部也告诉我们，2D永远的神来的，不信你看奇奇和蒂蒂，3D简直丢在动物群里找不出来。其实我很担心，奇奇蒂蒂的小饭桌，被人踢翻呢，毕竟这么小。真人动画2D3D一起混合双打，不违和。
暗黑动画片 吐得一口好槽 大腿都拍痛了 啵就把耳朵吹出来
好多迪士尼的梗哈哈哈，不过剧情转折略生硬。
Rats what I’m talking about! Finally a watchable Disney cartoon in a while. Heh. Like all the reboot mockeries too.
死去的小神龙俱乐部突然开始攻击我，好怕片尾迟帅会唱着“为所有爱执着的痛”从天而降
6.2分。除了情怀啥都不是。唯一一个人演的主角还是个黑鬼，可悲的好莱坞！
版权多就是好，可以随心所欲得画。情怀大于剧情，主角团2D搭配3D奇奇怪怪的。
【B】没报什么期待，没想到意外的有趣。本来以为会和其他动画改编真人电影一样平庸，结果这部给拍成了迪士尼版《头号玩家》，各种IP彩蛋角色客串还有自嘲式玩梗太搞笑了，主线是无聊了一点，但角色写的很不错，情感很真挚，片尾有些感动泪目。
剧情真的是太老套了天呐！但是里面的梗也太太太太太太多了，动画角色也太太太太太太多了！要罗列的话真是说不完了。大反派是变老长胖的彼得潘，被盗版异化之后，腿是胡迪+变形金刚，手是无敌破坏王+马里奥里的炮弹。又想起了那个笑话：如果有一天你被困在荒岛上了，你只需要在沙滩上画一个米老鼠，迪士尼就会找到你告你侵权。哈哈哈哈哈哈哈哈哈迪士尼的版权意识呀。和段的远程观影。
太好看了太好看了太好看了！迪士尼这回终于会玩梗了！
原本以为我美国动画片看得不多的，看了这部发现好多熟面孔啊，打算再看一遍练听力！
各种动画形式大融合 不愧是迪士尼啊 梗太密集了 快乐
迪士尼联合全世界的退休动画角色实现了再就业，密集的彩蛋让老旧的好莱坞剧本焕发了盎然生机。
迪士尼家底太厚了…..简直迪士尼版“建国大业”哈哈哈 虽然梗老 但看的开心
2d+3d+真人… 而且在同一个画面出现…违和感略强…FC《松鼠大战》
情节弱智但梗多到爆 007 星战 终结者 芝麻街 西曼 极地特快 速激 乐高 小飞象 猫 怪物史瑞克 瑞克与莫蒂酸黄瓜 迪斯尼自己有的其他IP就不用说了 像是失控玩家和无敌破坏王2的低配版 蚁人还出了个镜 不过老实说这种IP乱炖这两年也看腻了 全片亮点只有俩 丑版刺猬索尼克再就业和学动画三年系列吐槽
没有什么故事性，动画角色大联欢……索尼克真的好恐怖哈哈哈
Literally the best fan service of 2022 and the heaven for old animation lovers!!! After producing too many suck stream movies during the Covid, it seems Disney finally rediscovered what movie they should make. Anyway it’s a warm work, the classic Disney style, which is also my fav^
要是只看海报和简介，我肯定不会看的。看完觉得居然出奇地有意思，迪士尼有版权就是任性，随便搞，2D，3D 真人齐上阵，虽然有点怪怪的，但胜在梗够多，够好笑。
剧情就那样 梗是超级多 用2d和3d区分真是好点子 整体图乐看看
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