Lois Ames is devoted to her job as the editor of a magazine, and her wealthy husband Fred is equally dedicated to polo and parties. Lois's long hours drive her secretary to quit, and she replaces her with Tom Sheridan, who happens to be in the office demonstrating a rowing machine. Tom likes the work and continues to advance until he is indispensable to Lois. Ruth Holman, Tom's fiancée, is jealous of Tom's relationship with Lois and with some reason, as he is falling in love with her. In the meantime, Fred is having an affair with Ann Le Maire, a woman whose interests are closer to his own. Because he feels his love for Lois is hopeless, Tom quits his job and plans his marriage to Ruth. Lois tries to patch things up with Fred, but he suggests that they divorce instead. On Tom's last night, Lois keeps him working late. Ruth is furious and storms up to the office where Lois and Tom are dining. She threatens to tell Lois's husband about their relationship, which leaves the way clear for Lois to announce her pending divorce. Ruth breaks off her engagement to Tom, and he immediately asks Lois to marry him.
窃取了真爱至上的桥段 差评
平遥目前为止看到最惊喜的片子，泪点很多，抓心挠肝又不矫揉做作，关于生命尊严这件事其实关乎我们每一个人，直击现实，打到你的内心深处！
时不时会出戏
李振郁就打了个酱油，然后还给了张单人海报？害我白期待
父母在，人生尚有来处。双亲故，人生只剩归途 。珍惜当下！
又看了 第二遍 导演很真诚 超现实和现实的比例刚好
生病带来的痛楚。对于一个平民来说还是很致命的
6.0/10分，老梗太多，套路满满，不吸引人。所以李栋旭为什么喜欢元真儿？
有着如雕刻般的分明五官, 眼里仿佛装下了这个星河。
桥段太老了，起码稍微翻新一下啊，无聊的大杂烩。
没有意思，无聊，剧情枯燥，看不懂作者想表达什么
来处和归途之间，父母是我们和死亡隔着的最后一道屏障。老家有个形容，说老人会一天天的熟了。这是一种散发着衰老和腐朽的熟，无力阻止的逼近终点的过程，我们能做的只有被动接受、陪伴照顾和等待。
你拍的是什么东西，哦哦情感戏啊，我的意思是你拍的东西可能有点拉胯了。
父母在，人生尚有来处，来处是归途。
剪辑不好，剧情也不真实，不过还算热热闹闹，过年的时候看还挺温暖就是啦。叫醒服务允允！！！
肯定不如家有喜事咯，毕竟家有喜事我们熟悉的演员多。
“父母在，人生尚有来处
这剧情让我想起来假日暖洋洋。然而还没有假日暖洋洋拍的好。
搜了搜这个导演的经历，拍出来也会很有趣。
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