"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
真实历史太残酷。这个片子只是切入了一点已经非常揪心了。
难得有一部舍不得快进的电影 喜欢粗糙的工业镜像 只是还可以拍得更好 不知道差点啥 cp的情感部分应该惊艳 这显得有点平淡 俩人的感情应该是炙烈的 噼里啪啦的 攻差点意思 但是破案部分又拍的不错 有点可惜
压抑的黑历史，不得不怀疑是不是每个人内心都存在对同性的爱慕，只是看能不能遇到触发开关的那个人。男二颜值太可了，男主不被掰弯天理不容。
男主留个小胡子太有味儿了。
一点贪心前功弃
故事简单也完整。类似的题材东林伯已经拍过 N 部，一切都是熟悉的配方。特别是时代车轮下老亨利的那种深邃和无力感，是好片，但终归是不爽的。
什么啊，视听语言出了大问题，除了摄影还能看（不包括调度）别的一塌糊涂，看了个寂寞，
整部片的基调太压抑了，冷工业风格加上大量空镜镜头，这部电影非常适合深夜一个人看。故事的主旨就是建立在欺骗之上的，在一个同性恋是罪恶的地狱般的波兰，同性恋者来自各个行业各个背景，却都被打上了难以磨灭的烙印，只能隐藏逃窜否则就会被毁灭。短短不到两小时的片子，刻画了多个人物，都很成功，故事讲述的也挺不错的，不恐怖，就是太压抑。男二做了每一个观众都想做的事，那就是摸摸男主的小胡子😂
“人不能对一切感到恐惧，尤其是为了自由。”
还好吧 同性恋就勇敢面对自己就好了 不要骗人
对“风信子”有了额外的认知。情节类似韩国揭露政局的电影，不过还没那么成熟。Arek和Robert在卧室那段好似《春光乍泄》。Hubert Milkowski好稚嫩，像2018年的提莫西。
耕种锄刨为安宁
前半段感觉很慢也很枯燥，后面就很精彩，有时候人真的很难分辨是敌是友，只有做好自己才是最关键的
卧底和大学生，与其说是被吸引更进一步该是认清内心深处的自己，他发现爱上了对方却无法救他以至于赔上了自己的前途。男主的眼睛特别漂亮迷人
不论是爱情线还是探案的剧情都牵动我的思绪
波兰导演一贯的冷和稳，几乎全片的夜色和阴天把压抑和冷峻烘托极致。这个国家永远不会改变，对人性的压抑对人情的泯灭对少数群体的封锁，铁幕后期的波兰其实什么也没变。
看完骑车在路上的时候，恍然大悟：大boss才是深柜啊。
简单，有效，计划实际，实施彻底，老炮儿就应该这样。
是翻译存在问题还是剧情拍摄本身逻辑偏乱，剧情不大可。
结局倒是挺利索的，应该是我希望快点结束吧
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