Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
节奏还可以更快，爽度确实到位了，燃到想哭，时隔多年回到大银幕的ip，这样一部作品是不错的答卷
制作上还是很有诚意的，当然片子还是老套了一点
还是做点专注小朋友看的动画片吧。大人、小孩儿都想圈住，最后内容出来，就有点不伦不类。
运镜，动作流畅。台词稍微有点问题，如动物世界里面没人类，关于中心的几句话表达太过于书面。
节奏还可以更快，爽度确实到位了，燃到想哭，时隔多年回到大银幕的ip，这样一部作品是不错的答卷
片尾那句“喜羊羊，我们认识多久了”“5000多集了吧”直接把我整破防
高达眼睛由红转黄太帅了
“五千多集了吧”
灰太狼：喜羊羊，我们认识多久了？
买票包括入场前都没发现居然有这么多人去看喜羊羊。作为一个已经十多年没有看喜羊羊的人，一旦接受这个设定之后简直不要太兴奋！不枉我起这么早去看电影，这剧情设计简直可以拍一部真人电影了
最后，懒羊羊，妈妈爱你！！！！！
爷的童年回来了
属于是在熊强和喜灰之间选择了后者
五星还是过誉了，四星吧，真是为灰太狼感到可惜，这位塑造成全能型的父亲角色，竟然被只铁公鸡给压榨了，以他的能力和光头强一样，实在不应该，
当时说这部是最好看的。看了之后，发现真的很一般。 可见同期竞品有多难看！
喜儿真的帅
用一个IP套在完全无关的主题上，在用上最套路的剧情和煽情手法，唯一值得夸的是动作流畅，但已经2202年了，明明有那么多精美的动画可以看，我为啥要为他买账呢？
我靠
我俗 就喜欢王道热血 哪怕是三百六十度小孩子环绕的电影院
第一次一个人来网吧，居然在看喜洋洋。而且喜洋洋居然燃起了我对篮球的热情
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