Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
院线观影，彩蛋有贰。情节就不能细想啊不然就头秃无语，再见各个角色真的很惊喜，卡特，惊奇，理查德…尤其x教授。但那段结束得过于匆忙，出场的其他角色因此看上去实力很弱。
因为疫情时隔两年多后重新进了电影院，看的 imax laser，音效和视觉冲击力都很棒，有着白树的纽约接头就是剧情有点乱，然后场面有点血腥+惊悚，原来导演喜欢拍恐怖片。。。
随着科技的进步，从前我们只能通过魔法到达这个世界的任何地方，而现在可以去往各个宇宙。一拳一个五角星，美国小姐距离五十颗还有一些距离，要加油哦
奇异博士永远不让人失望！！一层哥特惊悚美学的皮底下是恶龙和深渊的故事，一直觉得奇异博士是漫威宇宙最值得好好挖掘的角色
山姆雷米我滴神！太惊艳了，史传奇绝对扛得动漫威多元宇宙的大旗，本来担心这么短时间而且补拍这么多次会拍砸，但是完全没有，惊喜客串众多但是完全没有抢博士风头，也没有影响紧凑的节奏，反而用花样百出的死法给博士和旺达打了一波硬广，跟whatif的联动也好惊喜，希望america小姐姐早日有自己的个人电影或者剧集
旺达 我是那样喜欢旺达和幻视 现在觉得 哎 漫威啊 我还能说啥 创造出的美好 幻灭都只在一瞬 旺达 会一直爱你 奇异博士你的爱无限绵延 穿越时空
3.5 比想象中的好看诶，奥妹贡献非常好的表演！
剧本比之前的漫威电影好很多，流畅的讲述。好多年没看IMAX效果好好，以后的大片都应该看IMAX。特效还是一如既往的丰富和精彩。感觉导演应该有一些恐怖血腥cult， 好几处故意跳吓和重口，我喜欢
4-
奇异博士变形二郎神。特效质量肉眼可见下降好多。America女生的演技也是太空洞无神了。。。神奇四侠和博士的出现也是破次元。
莫多: “我终于知道为啥在你的宇宙里我也那么讨厌你了~哼”
其实有点失望，还是更喜欢奇奇第一部。这部有点没头没脑，向恐怖风格的尝试还是有点子不适。但是真的心疼steven，每个宇宙都不能和爱人在一起。
这不是奇异博士2是猩红女巫1，奇异博士在自己的独立电影里打了个大大的酱油战斗力不行不说最后的心理战还是靠的是阿麦丽卡的大招。好看是好看但是太tm惊悚了。X教授出场的时候简直沸腾了这是什么跨世纪梦幻联动！可惜转眼被旺达拧脖子总有种不孝女旺达弑母的感觉23333... 旺达演技大赞贡献了好多泪点～另外法师和法术攻击终于站起来了嘤嘤嘤！！！
Wanda才是主角，Strange就跑个龙套
哈哈哈哈哈哈哈哈又恐怖又好笑（指僵尸史传奇
I love you in every universe
"I love you and I love you in every universe." damn😢
经典恐怖片元素大集合，每一幕都可以name that movie，对于MCU来说是个新选择。Wanda风头很劲，几乎忘了这是奇异博士主场。
漫威拍的爱情还挺OK呢，不会像很多非爱情剧让我感觉强行加感情线那样，“love u in every universe”这些梗真的蛮妙
7.5- 事实证明老漫威子除了卖情怀卖噱头还是会拍电影的，这部带导演个人色彩的造型设计美术风格真的爱，卷福奥妹真的超英宇宙演技巅峰了吧。（下辈子我想拥有奥妹的脸蛋和身材还有演技，完美女人好爱她好爱她
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