Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.
The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).
The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.
The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.
Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.
Roger Philip Mellor
但是荷兰弟……oh youth！
玩过1-4的老粉表示，虽然是改编电影，但我看的老开心了。荷兰弟情绪有时候尴尬，寻宝过程有时候挺蠢，但是感觉有努力尊重游戏。插科打诨的精髓有抓到，几个名场面有出现。虽然名场面被改编，但是改编的我还挺喜欢，尤其海盗船。Drake踩哪哪塌，去哪毁哪的精髓也还在。还有些粉丝向小福利：比如年少小演员找的还挺像。比如Nathan找到了装枪的背心一穿上，配上游戏音乐，老粉激动的差点站起来。
剧情，画风绝了，毁番剧啊，太烂了，不信的可以去看看，
啊啊啊红红杀我，真的很好看啊啊啊，狐妖我心中的国漫天花板
里面的剧情真的很让人喜欢！虽然追后那些cp都be了但这部国产动漫我还是很喜欢！
我个人非常喜欢神海这个IP，最高难度通关4部曲➕一部外传了，也算是个小粉丝。
好垃圾的片，电影前半小时还挺好的，后边质量急剧下滑，首先两个女配一个赛一个丑，还不如开头那个丢手链的富二代；其次剧情逻辑和人物行为也极其可笑，西班牙富豪杀爹，反派女杀富豪都是什么操作，一点没看出来因果关系
这什么剧啊？我真不理解，剧情完全看不懂，演的也不好看
三分之二才看到海，神秘在哪儿？这类型冒险寻宝片上次看的还是瑞安雷诺兹的《红色通缉令》，同质化严重，彩蛋也雷同。
整体大片该有的元素都有，摄影运镜全程也相对流畅，节奏把控基本在线无冗长感。可惜剧本还差点意思，剧情稍一推敲全是Bug难以自圆其说。反派安东尼班德拉斯纯打酱油的，完全没存在感。荷兰弟老师这气质身材也不太符合原著设定，演蜘蛛侠还行，德雷克就算了吧。
（5.0/10）又回到了游改电影普遍难看的那条老路上了。在电影这门艺术里，真正吸引人的东西是“人”而不是那一道道关卡。
这类片子，流畅，无大硬伤，逻辑说得过去，就合格了
所以我就以粉丝的视角来说吧，首先，一定要把它当平行宇宙看！！！这么多年了，他们还是不明白，为什么不顺着游戏的剧情拍，没有任何改编都行，这要做到这一步就已经很棒了，其他的只要演技不差特效不拉跨就行了但他们就是不明白。
两星半。笑点可以再多塞一点（参考「勇敢者游戏」），不然真的很干瘪，因为故事和动作都不出彩。
预判6.5分，标准爆米花，类型片实在是太多了，很难新颖。
流水线的敷衍浮躁产品。
画风以及声音配乐都觉得好些问题，还有那个明显的腹肌，呃，但是还是有之前的滤镜
够炫目也挺精彩，这片子适合迪士尼去制作啊。其实只要有创意，这世界不缺乏好故事！俏皮、诙谐、爆米花。只是动作程度在刺激一些更好！ PS：额外收获，安东尼奥·班德拉斯一枚！哈哈
影片最后14分钟才开始空中飞船战，之前还在巴塞罗那浪费一大半时间。
02/05/2022 with Yu and Steve.
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