With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
作为一个网大，还是很不错的，绝对及格，打的很痛快！
期待有朝一日，有个大家伙出来。
期待有朝一日，有个大家伙出来。
小成本佳作 故事老套 演技一般般 打戏设计有看头。有点用心！评分3.5感觉差不多但是给动作知道和谢苗鼓励分加到4分！
3.衣云鹤演反派不像
流浪的三毛他逆袭了，流浪的三毛他爱钱了，流浪的三毛他黑化了
动作太假了，每到打斗的情节，摄像机的镜头就一直在切换。
谢苗有几部网大质量还是很高的，上院线也是可以的，新生代动作演员就靠你抗大旗了。
谢苗的个人秀，看的出来，他打的很爽，剧情就不用细琢磨了，打斗场面很惊险刺激，不输于龙哥的警察故事了
网大的动作戏拍成这样确实挺意外的，但是非得来点不切实际的吗，你让谁下岗呢，小老百姓。
故事简单，但是拍的质量挺不错的，节奏挺快，看得挺开心
比较写实的电影，谢苗的演技还是在线的，剧本也不错。
歹徒这么明目张胆 也是没谁了 躺着脸说要收过路费
动作太假了，每到打斗的情节，摄像机的镜头就一直在切换。
谢苗这部动作片可以的，男主见老丈人短视频看到的
标准的警匪爽片。 很多的是想说，武打功夫片现在华语市场基本青黄不接，甄子丹退了之后，张晋，赵文卓这些都没有接起来，如果谢苗有想法其实可以考虑下，朝这个方向发展，当年他听了周润发的建议回去读书这个建议。现在来看不知道是否正确，当时投身拍戏，现在有可能是一代打星了。
动作戏场面真的好，现在正是当打之年，谢苗也该好好拍一些电影了。
我是推着划船机看的，因为过程太精彩无尿点了，还多划了十几公里。比扫黑风暴和除暴安良等什么其他扫黑的片子强多了。苗总表演张力哪里比吴京差了？明明都是院线大电影的水准。打斗极为真实，拳拳到肉。满满的真实感，虽然破案逻辑上有些小细节稍微有瑕疵，但是已经非常优秀了。谢苗一定🔥
昨天看到新闻里评价都好多好，我说来看看吧，谁知道就这？中国观众的欣赏水平太低了吧。感觉08年之后，就像换了一批人，水平急剧下降
我认为这是谢苗近几年故事性和动作性最好的一部电影🎬！继续努力💪
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