法外大律师

法外大律师 高清

评分：
9.0 推荐

分类： 记录片 2010

导演： Fergus O'Brien

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剧情介绍

　　Daniel Mays (Line Of Duty, Rogue One: A Star Wars Story, Public Enemies) stars in BBC Two's powerful factual drama as Peter Wildeblood, a thoughtful and private gay journalist whose lover Eddie McNally (played by newcomer to television, Richard Gadd), under pressure from the authorities, turned Queen's evidence against him in one of the most explosive court cases of the 1950s - the infamous Montagu Trial.
　　More than ten years before the decriminalisation of homosexual acts in 1967, Peter Wildeblood, and his friends Lord Montagu (Mark Edel-Hunt) and Michael Pitt-Rivers, were found guilty of homosexual offences and jailed.
　　With his career in tatters and his private life painfully exposed, Wildeblood began his sentence a broken man, but he emerged from Wormwood Scrubs a year later determined to do all he could to change the way these draconian laws against homosexuality impacted on the lives of men like him.
　　Daniel says: 「I'm incredibly proud to be part of a drama that tells such an important real-life story. Peter Wildeblood is a fascinating, complex, yet flawed character from a time when being a gay man in Britain was incredibly difficult - I can't wait to bring his tale to life for the BBC Two audience.」
　　Patrick Holland, Channel Editor, BBC Two, said: 「50 years ago, it was a crime to be a gay man in the UK. Against The Law is a stunning piece that melds drama and documentary testimony to tell the story of one man, and his wider generation, as they struggled to make society accept their sexuality as non-criminal. It is brilliant to have a film that brings the authorship of Brian Fillis, the vision of director Fergus O'Brien, and the outstanding talent of Daniel Mays and cast to this important subject」
　　The drama also features Mark Gatiss (Taboo, Sherlock) as Wildeblood's prison psychiatrist, Doctor Landers and Charlie Creed-Miles (Ripper Street, Peaky Blinders) as Superintendent Jones.
　　Woven through this powerful drama is real-life testimony from a chorus of men who lived through those dark days, when homosexuals were routinely imprisoned or forced to undergo chemical aversion therapy in an attempt to cure them of their "condition". There is also testimony from a retired police officer whose job it was to enforce these laws, and a former psychiatric nurse who administered the so-called cures. All of these accounts serve to amplify the themes of the drama and help to immerse us in the reality of a dark chapter in our recent past, a past still within the reach of living memory.

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评论:

  • 恽言文 4小时前 :

    每一个你都忽远忽近/

  • 国晗蕾 8小时前 :

    深柜女同东京be爱情故事🥲 看到最后还是好难过哦。配乐不错，镜头很漂亮，喜欢无人机俯拍大海的镜头和海报中幻想的那个长镜头。mana哭到我心里了，斯人已逝，可我们还没真正把话说明白，真的难过。

  • 丁梦菲 5小时前 :

    节奏太慢过于冗长，如果把视角聚焦在两个女生之间晦暗不明的心事会更好一点，中间突然插入一段遇难者家属的自白，让人摸不着头脑。堇这个角色的性格倒是挺有意思的，滨边美波的颜也没话说，就多给一颗星吧。

  • 利欣怿 0小时前 :

    马马虎虎可以看的笑喜剧 虎头蛇尾了 只有中间那段还不错

  • 卫浩天 5小时前 :

    属于想多鼓励都下不去多打一星的手，真的不行。 东亚影视不管好片烂片都有各自的特点，日本人拧巴别扭和稀泥，韩国人吵闹抓马闹翻天，天朝……哦，天朝就只是单纯的烂而已。

  • 敬书君 0小时前 :

    我猜测故事原本应该达到了中规中矩的水平，但被导演乱拍一通，看了前半部分简直想死。你要说这是个与生死和解的故事吧，关键是这女主我也没看出来她有多跟过去和解了啊？还不如直接以滨边为中心拍部百合片

  • 哲喆 5小时前 :

    看预告感觉还行，就是不知道正片怎么样，希望和我想象的一样吧。

  • 国轩 6小时前 :

    2星半吧，但比其他拉垮的东北尬喜剧还是高出不少水准，结合演技在线的配角和网红流量加持，还要啥自行车啊~

  • 凡呈 2小时前 :

    拍得不是很聪明，是松散、平淡，缓慢的，也有种漫无目的、不知所云的混乱，但仍是有感动人心的瞬间，岸井雪乃表现不差，在一些角度下还挺好看的，美波非常非常可爱，她真的是太会撩了，可惜两人的对手戏太少了，来来回回就是那几段，用海来形容这个双向暗恋的蓝色故事再合适不过了，望着一望无际的大海，听着海浪拍打在礁石上，好安静，好难过。

  • 宫家馨 1小时前 :

    儿歌的内容和结尾动画也完全对应吧，飞向天空，面向大地，终归大海。

  • 古添智 4小时前 :

    我也想花5w让二老师给我唱一宿死亡摇滚，多加一星给全妆梁龙

  • 全安怡 3小时前 :

    求你上我真的好丑 怎么好意思和正统美人二搭的？比剧情更难看的是她的脸。

  • 卫家丽 1小时前 :

    笑点密集，剧情波折，挺有意思，院线估计能大卖

  • 东门若骞 1小时前 :

    看到1/3大概就能猜出结局，不过几个笑点还是蛮不错

  • 侯千雁 7小时前 :

    怎么说呢？日影真的好慢、好容易睡着、浮躁的我感觉已经看不进这种片子了、

  • 妮雯 4小时前 :

    在不苛刻的情况下勉勉强强吧，三百万还是寒颤了点。

  • 冬霞 2小时前 :

    深柜女同东京be爱情故事🥲 看到最后还是好难过哦。配乐不错，镜头很漂亮，喜欢无人机俯拍大海的镜头和海报中幻想的那个长镜头。mana哭到我心里了，斯人已逝，可我们还没真正把话说明白，真的难过。

  • 张平宁 3小时前 :

    电影艺术的进阶技巧更是无从谈起。

  • 卞鸿祯 3小时前 :

    东北人啊，老家人啊，支愣起来啊，把那个几个靠贩卖铁西区的文青弄死，剩下的全中国一半还得靠咱们啊

  • 冬婷 3小时前 :

    好喜欢。说实话看日本电影看得太少，这部算是第一部真正让我看进去的吧。前后有太多呼应了，电影内部有很多联系的话好像会让我更加沉浸。例（一次山崖上、一次礁石旁，突然切到航拍镜头再向海面衍生，最后镜头抬起，面向海平面。不同的是第一次是和你建立连接的时刻，天空只是多云；第二次是我决定寻找你的时刻，有着出升的太阳和清澈的风。像这样的还有很多，我的理解是导演就想通过这些细小的转变来构造思想的转变和递进。

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