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A brilliant and outragously funny satire of society, 7 December 1999
Author: Dave Joerg ([email protected])
"Flodder" is one of the funniest movies ever made and few people realise that it is a Dutch movie made by none other than the Holland version of John Carpenter, the famous Dick Maas, author and director of the thriller "Amsterdamned". The Flodder family is the reincarnation of the term a-social. When the whole family bunch, basically all bastards, criminals and sluts must be relocated from their City slum because of toxic waste under their house, the city council house no choice. The only available space is in the "Zoendal" - the "Sun Valley" the best area in Amsterdam where all doctors, snobs and businessmen can afford to live their lives. And where the central point of interest and politics is the tennis club of the community. The Flodder family brings devastation to the tranquil world that ruled before. They are simply unbelievable. The characterisation is incredibly funny, beginning with Ma Flodder who searches other people's trash cans for food or making illegal liquor in her cellar and ending with the eldest daughter who is the biggest slut on earth. Together they make the most horrible family imaginable, a sort of immoral mirror image to the Brady Bunch or the Waltons. When the City counsel of Amsterdam hoped that the Flodders would show their good will to be more civilised in their new area, it turns out that Holland's most famous family would rather bring out the worst in the rich people of "Sun Valley"-wonderland. The rest is a hilarious, brilliant and well made social satire that can be watched as a provocative movie as well as a straightforward comedy. Dick Maas at his best. I salute him! Flooder was the Dutch smash hit in 1986 and brought two sequels and a tv series. All of the sequels were nice but not as great as the original.
Flodders (1986) is available on DVD in Germany in a dubbed German version in Dolby Digital 5.1. under the name:
"Flodders -Eine Familie zum knutschen"
Why is First Floor Features, the producer of the movie not bringing the Dick Maas blockbusters out on DVD in the Netherlands, I wonder. The are not even available on video there. These movies have so much potential, still to this day and have a huge silent but true following.
最大的亮点是葬礼上追思说的那番话。短短几句话，勾勒出一个有生命力女人的一生。笑就很大声，拥抱就很有力，爱人就拼尽全力。一生就这么的踏实。
梅艳芳粗略简史，而且很碎，在观阅过程中，带出小时的不少同步记忆，情怀加一星。前半段略嫌平铺直叙，并无感受到梅艳芳当时的乐坛地位，后段几个节点还是把握住了，尤其张国荣不在那段，观影时要刻意控制了一下情绪。
还挺好看的，女主几部电影都看过但是还真没认出来，在能俯瞰LA夜景的大房子里我也想体验孤独感。拉美人主动一家人闹哄哄很有氛围。出轨男真的演什么都很像贱贱的Schimidt，是那个角色太深入人心了吗
大部分人流眼泪不是因为梅艳芳一个人，而是她名字后面所代表的，那个时代，那群人。我看到她在香港街头穿梭，一步一步走向她的巨星时代，她不是唯一一个，一颗星星闪烁不美丽，万千星辉才惊艳。我看到哥哥，看到片尾不断闪出的老照片，甚至是dodo姐，还有许多前辈，艺术家，你很难不被深深打动。一个人在仰望星空的时候是只觉得美好的，他不会遗憾的，但是艺术是需要陨落的。梅艳芳这部电影情怀牌打的太足了，他几乎是把一整片璀璨再现，又告诉你如何陨落，你是很难不流泪的。少一颗星是因为剧情，节奏，演员三方面都有欠缺。
预告片太戳了……给没事就听夕阳之歌的我感动出眼泪来💢那是必须要看了
这故事情节熟悉吗？很熟悉 但看着俗吗？竟然一点都不俗 本以为只是小妞喜剧 却没想到能对少数族裔的社会境遇有较深的探讨 结尾没有硬凑男女主cp、昔日情敌能联手撕渣男这两处情节设计大大的好评 演员老奶奶的去世也让葬礼戏、让这段语言不通的黄昏恋更加动人
名人传记，你要么讲一件小事，讲好它，不然就容易出流水账。优秀典型是至暗时刻。
一个现代的童话故事，没看过原版，这个版本可以一看。不知道原版的设定是如何的，其实这个故事放在其他任何白人社会里的少数族裔身上都可以，看过之后反而有点为少数族裔悲哀。
太过小心翼翼地触碰只显得无功无过，最后的免责声明也颇有此地无银三百两的意味，倒是单场戏拎出来确实还有些春秋笔法的痕迹，倘若张梅是代表香港之子女，SARS 流行之下戴口罩的游街“撑住”是否是向当下喊话？
2021/11/14 女主真的更像郭可盈多过梅姐，感情戏、张国荣的戏份真流水账。
5.电影太碎片化了，没头没尾，不对梅艳芳有足够了解很难看明白。然而观众对梅姐了解越多就会越想吐槽电影。
3.5吧，结尾很不错，没有强行couple～我一直是很喜欢这个女主，但她确实瘦得有点儿脱相了。不太喜欢的部分是前面那些拉丁移民的欢呼，有点儿搞不清导演到底是政治讽刺还是在迎合，很别扭。
没看院线版，感觉电视剧版剪辑得还算舒服，除了中间和阿ben的戏份？实在是有点莫名其妙，葬礼戏也是败笔，其他都还可以吧。电影三星，多一星是给“香港的女儿——梅艳芳”。真的很久没看到这样港味十足的电影了，很感慨。
最后Olivia还是没有和Antonio在一起，好可惜
既然题材老套 就要学会精简 把最好的呈现出来 而不是把观众当作小白的事无巨细
并不是梅姐粉丝，也不了解她，只是耳闻过关于她的一些。单看这部电影，呈现出来的那个年代的复古气息很令人向往，但梅艳芳的一生拍的像流水账，人物故事被写得不明所以，发生得理所当然，作为一部传记片却认为每个观众都了解主角，这应该是个大忌吧……所幸还能让路人产生了解梅艳芳的欲望......
虽然剧情有点不可思议，但得承认拍的挺不错的。女主最后那身小吊带再树个马尾，真好看。
女演员已经非常用力传神地尽力了，但电影选取的叙事还是有点过于流水化，不及本人传奇的绝代风华的万一。
首先要Ps一下：那俩逗比侦探当时应该把镜头设置在房顶或者高几层的房间，那样不就可以一览无余了？
诺丁山新版，多了墨西哥大家庭的温情，还是拿富人孤独来说事，这就比较俗套了，演员还是不错的
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