Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
吉吉国王挑大梁的神经喜剧！可能情动除了双向奔赴之外更需要互相激发彼此的潜能，苏文兴哪里就一无是处了，这又是溜索又是修房顶可可爱爱的！
为了完成任务看的网大。是我不懂欣赏现代喜剧吗，各种年代错乱的口水话台词、尴尬的玩梗、不需要演技的情节与演技做作的演员——作为一个环保主义者，很难理解为什么要浪费资源去拍这样的电影。。。人民群众的生活无聊到需要这样的网大来消遣了吗？
美国精神下的耶稣。不好好脱贫致富，一天到黑神搓搓的在教堂祷告，上帝看到也抠脑壳。这不是打一星的原因。打一星是因为神父不好好提高自己的业务水平，遇到恶魔就被虐菜，唉，能不能提升一下技术再去驱魔。菜，说什么都像是借口。
什么玩意儿啊，无厘头也不能这样搞，朱自清的橘子梗都来了……
搞笑可以，但也要有点节操和智商。会用人是商人最得意的地方，到了此片里面就成为了负担。
以为是续集，没想到是吉吉国王的定制剧，轻喜剧，看着还行，主要是原班人马，没有违和感，挺好。
2.5竟然有好几处可取的地方，神父从头到尾对信仰的摇摆和对自我的否认都很难得，直到结尾才看到他的坚定but。恶魔集体给神父驱圣，很震撼。
麻雀虽小，五脏俱全。设定佳，立意佳，故事简单但让人看得津津有味，一些笑点与原剧关联性较强，可能直接看就看不懂。方方面面都照顾到了，连老梗都有一个一闪而过的身影，实在是回馈粉丝诚意之作。
有新意，有亮点！比如丧失化恶魔，比如反向驱神，比如代理人设定。看着开心，可以了。
休闲打发时间挺不错的。
赶鬼与赶主同步进行倒是很新颖，影片暗讽末世的教会现状也的确是很贴切了。但在基督徒的角度，Father Peter终究还是软弱了，靠与恶魔Balban的交易，结果必定不是喜乐，无花果树能生橄榄吗？葡萄树能结无花果吗？咸水里也不能发出甜水来，得胜只能靠主。
很不错的喜剧。比赘婿电视剧好看，和赘婿电视剧前半部分差不多，爽剧的感觉。
牧师和魔鬼正面对吼 互相给对方驱魔
惡魔把神父綁起來驅逐上帝的反向操作是亮點，最後留了尾巴拍美劇就是天堂與地獄的鬥法了，整體可看
按电影的标准不及格，不会超过6分。按电视剧没事无脑，边玩手机边看，给及格
怕大家等第二部等太久，赶紧出来一部电影，怕大家忘了
大马猴终于翻身农奴做主人了，开心，虽然故事跟赘婿有重叠，但是不影响观感，哈哈哈。
演技真的。。。。
作为一个网络电影，真心不错，就是吉吉国王撑不起吧，几个女主颜值还是可以的，制作可能是赘婿的边角料吧，还是可以的，力荐力荐！！！
承袭了电视剧的高质量，吉吉国王在这里越来越可爱了，电视剧里的搞笑角色做主演更加丰富啦，这次还有“吉吉皇后”，是在七夕节来临之际给粉丝的礼物！
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