According to Giorgio Vasari, the first art historian, the Renaissance was centred on a revival of interest in classical art that began and flourished in Italy. Waldemar disagrees, and accuses Vasari of errant jingoism. In fact, the most significant early developments in Renaissance art took place not in Italy, but in the ‘barbarian’ lands of Flanders and Germany. Instead of understanding the Renaissance as a return to classical models, we should see it as a climax of medieval values - an epoch of huge religious passions and powerful human emotions.
The series will celebrate material that is new to television. Waldemar will include art that is not usually thought of as Renaissance art. This will involve 're-classifying' what is sometimes called Late Gothic, and showing it off as a marvellous and native artistic tradition, particularly in the remarkable field of polychrome sculpture. On top of all the new art to be introduced, Waldemar will also look from fresh and intriguing angles at many of the established Renaissance giants, including Michelangelo in the Vatican, Leonardo in the Louvre, Botticelli in the Uffizi and Van Eyck in Ghent.
真不明白这几个小瘪三绑匪是怎么有胆量绑架明星的？ 加一星给老黄哈哈
千亿票房巨星黄政民在本片中饰演被绑架的千亿票房巨星黄政民！剧情没有吾先生紧凑，后部分一直在拍出逃，警匪人质三方角力被淡化了，最后雨中的打戏真是黄政民最狰狞的表演了，我丁青什么时候被打成这样过？还有是不是有丁青就会有李仲久啊哈哈哈，黄政民说西巴真是很有感觉啊！可以看的爽片。
比原作更刺激，节奏掌握的也很好，但也更狗血……
中规中矩，还行吧，感觉不如《解救吾先生》真实、恐怖
希望现实生活不会这样
演王千源那个角色的小哥全程一个表情，这不行啊，特别是去自首的那场戏，咋回事啊怎么一点胸有成竹的表情都没有，难顶起来了
韩版的解救吾先生，其实还可以，人家韩国商业片要素都是攒齐的，剧本成熟
一部改编自二流电影的二流电影，并且改编的不太符合逻辑。
所以说啊，大背头并不是都比刘海好看的，绑匪那个脸确实还是挡上点更好看
2星，难看
比解救拍的好。全程紧张度把握很好。青出于蓝胜于蓝。
节奏拉胯 反派弱鸡 剧情亮点全改没了 只能说改编不是乱编
黄证明还是在“演”
韩版解救吾先生，虽然有黄政民演自己，但是从剧情到角色深度都比我们原版差不少，特别是韩版绑匪，和王千源的原版完全木有可比性，原版绑匪实在很难超越…
即使是黄政民也救不了这电影，翻牌的太扯了。
一流演员救不回三流剧本的案例。（突然想看河正宇智斗诈骗犯[doge]）
三星都给黄政民的演技，很可惜的是反派刻画得过于脸谱化（韩国绑匪不是神经质就是脾气乖戾暴躁）和执法部门的办案能力太低
逻辑漏洞太多 剧情幼稚 虽然是男神的片但确实不算好片
《解救吾先生》可是我觉得国产片近年来难得的佳作了，韩国电影还是不要翻拍了，明明你们的原创剧本能更优秀。
至少人家翻拍的时候还有二度创作，咱们翻拍真是每个镜头都复刻。
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