The Gateway Meat is a disturbing and sadistic film, that strays far from the normal conventions of the horror genre. It is about a group of Satanists, living in a quaint, coastal fishing town. As the film progresses we get to know the character played by DeCaro himself, Markus. The film is mainly about how Markus struggles as he tries to deal with the great expectations that are placed on him after his fathers death. Markus' father, who was a Satanist, was trying to open up a portal into hell. Now that he is gone, Markus must take the reigns, and gain the power that his father wanted. With the help of his family and a couple of friends, Markus murders his way to power, as his young, preschool aged daughter watches."
吴京和徐峥的快进了,汪嫂直接跳过,比较完整地看了沈腾。。
虽然是按时间顺序展开的四个故事,但是风格迥异得实在衔接不上。反而最喜欢章子怡导的「诗」,六七十年代滤镜下的小家庭故事最能打动我。徐峥的其次,沈腾最烂。
徐峥的部分最有诚意,故事也最好看,沈腾的部分也不算太糟。这部电影看起来更像宣传片。
空洞、说教,甚至连沈腾都不好笑了,主旋律拼盘电影被榨干到最后一滴价值
沈腾的就是图个热闹,内涵方面差了点意思;吴京的又太正,情感方面不够深入。
大年初四看得,第一单元,儿死了……第二单元,爹死了……怎么说呢,中央六请不要过年的时候放这个了吧
宇宙/是让死亡渺小的东西/
新世界的开始
死亡是验证生命的东西
我和我的父辈们抛头作战、献身科研,就为了让这班孙子把广告拍到2050年。
命题作文,为繁荣昌盛的爸爸写一个作文。吴京交出了《没有任何战术的肉体抗争》,麻花又交出了《多谢祖师爷周星驰》的答卷,章子怡长镜头还挺惊喜,哩哩啦啦看不干净,徐峥是精明的小品选手,最聪明的。
唯爱诗,最完整,最惊喜,抒情到位,最切题。要是是个整部电影更好。个人子女 家国传承全部到位。
我的孩子
最喜欢的是《鸭先知》,莫名有在看韦斯安德森的感觉。
将亲情放在不同时空承受不同命题,却愈显其动人面
徐峥那段最好,沈腾的及格,其他两个没讨论的必要。
3星,《诗》>《鸭先知》>《少年行》≈《乘风》。章子怡和徐峥部分我是满意的,吴京和沈腾的答卷显然不能及格。尤其《乘风》拍的实在差,建议吴京别把抗日战争拍成神剧,也别把自己拍成超级英雄,几梭子机关枪子弹穿透和没事人一样,也别把骑兵连拍的和愣头青一样,不会拍去看看《功勋》之能文能武的李延年。
各种场景合成一个大电影 其实就是一个个故事会 挺有意思·
后面两个就是徐峥和沈腾,他俩很有个人特点的偏喜剧段子。
这种命题作文还是徐铮最会玩。鸭先知>诗=少年行>乘风。
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