剧情介绍

  Wounded and on the run, notorious gunman Quirt Evans (John Wayne) gallops onto a farm owned by Quaker Thomas Worth (John Halloran) and his family and collapses. When Quirt urgently insists upon sending a telegram, Thomas and his daughter Penelope (Gail Russell) drive him into town in their wagon. After wiring a claim to the land recorder's office, Quirt kisses Penny and then passes out. Ignoring the doctor's advice to rid themselves of the gunman, the compassionate Worth family tends to the delirious Quirt, and Penny becomes intrigued by his ravings of past loves.
  Quirt recovering under the care of the two women (from left to right: Rich, Russell, and Wayne)
  Days later, when Quirt regains consciousness, Penny patiently explains the family's belief in non-violence. Three weeks later, Laredo Stevens (Bruce Cabot) and Hondo Jeffries (Louis Faust) ride into town looking for Quirt. When Penny's younger brother Johnny (Stephen Grant) rushes home to inform Quirt of his visitors, Quirt quickly prepares to flee. Penny, now smitten with Quirt, offers to run off with him. At the sound of approaching horses, Quirt grabs his gun and discovers that it has been emptied. Training his gun on the doorway, Quirt calmly greets Hondo and Laredo. Thinking that Quirt has the upper hand, Laredo offers to buy his claim. When Quirt sets the price at $20,000, Laredo hands over $5,000 in gold and challenges him to come for the balance when he is able – if he has the nerve.
  Afterward, Quirt saddles his horse, but when Penny begs him to stay, he changes his mind. Later, Quirt learns that cantankerous rancher Frederick Carson (Paul Hurst) has dammed up the stream that runs through the valley, thus draining the Worths' irrigation ditches. Quirt intimidates Carson into opening the dam.
  One Sunday, Penny asks Quirt to join the family for a ride. Before they leave, Marshal Wistful McClintock (Harry Carey) comes to question Quirt about a stagecoach robbery. The family swears that Quirt was with them at the time. The marshal then asks Quirt why he resigned as Wyatt Earp's deputy, sold his ranch and crossed over to the wrong side of the law soon after cattleman Walt Ennis was gunned down in a saloon brawl. When Quirt refuses to answer, the marshal leaves. Penny then begs Quirt to steer clear of Laredo, and he acquiesces because of his love for her.
  As Quirt and the Worths ride to the Quaker gathering, Quirt's erstwhile sidekick, Randy McCall (Lee Dixon), tags along. Randy tells Quirt that Laredo plans to rustle a herd of cattle and suggests that they then steal the herd from Laredo and let him take the blame. Mr. Worth gives Quirt a Bible for ending the feud with Carson. Fearing that he will never be able to live up to Penny's expectations, Quirt abruptly leaves with Randy.
  Quirt and Randy steal the herd from the original rustlers. They then celebrate with showgirls Lila Neal (Joan Barton) and Christine Taylor (Rosemary Bertrand). When Lila, sensing a change in her old flame, teases Quirt about his Bible, Quirt becomes angry and rides back to the Worth farm. Overjoyed, Penny throws her arms around him, just as the marshal arrives to question Quirt about the rustling. Quirt states that Lila can provide him with an alibi. Penny is hurt that Quirt was with his old flame, who she heard him talk about in his delirium, thinking Quirt prefers Lila's fair hair. Quirt realizes the depth of his feelings for Penny, and they kiss hungrily in the barn, while the camera fades.
  The marshal warns Quirt that he is the wrong man for Penny. Quirt decides to propose to her anyway. Instead of replying, Penny invites Quirt to join her picking blackberries. Quirt answers Penny's questions about his early life. Kindly Walt Ennis raised him after his parents were massacred by Indians. Then Ennis was murdered.
  Quirt and Penny are ambushed and chased by Laredo and Hondo on their way home. Their wagon plunges over a cliff into the river, causing Penny to develop a dangerous fever. When the doctor informs Quirt that there is no hope for her, Quirt straps on his pistol and rides into town to exact revenge. After Quirt leaves, Penny's fever suddenly breaks.
  In town, Quirt sends Bradley to tell Laredo and Hondo he is waiting for them in the street. Penny and her family arrive. She gets Quirt to surrender his gun to her. As Laredo and Hondo draw their guns, Marshal McClintock shoots them both. Quirt rides off in the wagon with Penny. The marshal picks up Quirt's discarded weapon. Bradley comments that Quirt may need the weapon, to which the marshal says, "Only a man who carries a gun ever needs one." And, the film fades to black.

评论:

  • 喆天 6小时前 :

    艾伦索金擅长营造的是那种每个决定都牵涉着他人命运的紧张感,在这个小题材里显得有点施展不开拳脚,剪辑也有点太花里胡哨

  • 卫炼宽 8小时前 :

    在重新回味希区柯克和德·帕尔玛们的同时,索德伯格真正触发了当下类型电影的新机关,如何在今天讲好属于这个时代的悬疑故事,本片做出了轻盈而精彩的示范。我们正在被性别歧视、科技革新、智能生活、疫情隔离、资本监控等或明或暗的多重危机所蒙骗与包围,观众跟随着佐伊饰演的主角,进入一个反而“出门预示着危险”的,极具文学荒诞感的现实世界——我们所处的当下。这位融合了受害者和局内人等数个身份,又几乎综合了近年来从女权运动到新冠疫情的代表性症候于一体的女斗士,在急促的数字摄影中引领着观众来到室外,这场冒险不仅是伸张正义,更是重新将世界扶进正轨,一次集体的脱敏治疗和自我解放。片尾街道上多数的人们终于摘掉口罩,人工智能的回应依然存在,推翻了强权世界后痊愈的自由人,正同媒介工具和谐演进,如同索德伯格“退休”后的创作。

  • 扶兰月 3小时前 :

    2022-02-12

  • 帆梦 0小时前 :

    【B+】以疫情时代的语境去再现《后窗》和《对话》的类型基调,却又保持着与前辈们的疏离。真正干涉故事中心的物理窗口仅有三户,只在短暂的视角转换才能提炼出被窥视感,屏幕上的网络窗口也是一种低分辨率的假象,在开场的轴线跳跃中刺破伪装。或许声音才是关键,就像第一幕中对封闭独居状态的刻画,声音的侵入与回避是观众同环境互动的通道,也同样与第二幕中的开放空间进行区分,因为环境音将角色包围,无法逃避,正如疫情下的生活一般。于是索德伯格所擅长的步态影像在这部分里异化为失衡的仰视构图,手持摄影的晃动感却从未逃离作者操控,层层算计下驱动影像不断前进。随后回到室内完成剧作回环,最后的反杀宛如命题作文的切题步骤一般陈旧,似乎不必过分关注科技的作用,摇镜和运镜间不断流动的物质世界才足够动人。

  • 员琇芬 2小时前 :

    乱 复杂 细节太多 叙事线乱成一团 看的脑子乱嗡嗡的 如果不是妮可真的看不下去 先好好讲故事不行吗 很明显看出 同为传记片 gucci里的gaga跟这里的kd 还是有很大距离的

  • 乘英勋 0小时前 :

    肯定剧本很扎实,但是类似设定和结构不如《驾驶我的车》狡黠可爱。而且需要很多背景知识才能懂剧本的厚度吧

  • 姒雨旋 2小时前 :

    在索尔金的作品中不算上乘,唯一的亮点是结尾露西的那个晃神

  • 吕水风 3小时前 :

    也不能说不打动人,但真的就是一个全体主创都没有突破的产品。

  • 卫佳妮 0小时前 :

    一如既往Aaron Sokins 风格的作品, 用词精挑细选 逻辑繁复严谨(((o(*゚▽゚*)o))) 哈维尔讲话时观者脑海里闪现的是杰夫 丹尼尔同学的身影。。。。。_φ( ̄ー ̄ ) 但是然鹅可是。。。。。本作不是艾伦最最最擅长以当代背景媒体对社会深刻反思的主题,这次挑的是上世纪好莱坞黄金时代虚构喜剧秀男女主角戏里戏外悲欢离合 起起伏伏 女主自强不息(好像也不完全是 。。。。ε=ε=ε=ε=ε=ε=┌(; ̄◇ ̄)┘)妮可基德曼扮演的是喜剧秀里美丽聪明的女主人公

  • 云彦 7小时前 :

    以小见大,还是有当代视角的,所以索金才会对准这段往事,你要说可看性那比漫威的电视剧还是强多了

  • 司空凌柏 2小时前 :

    一流编剧二流导演Sorkin跳出了舒适区,于是两方面都成了二流。

  • 典桐华 6小时前 :

    流媒体定制小片子,甲方在上,成本受限,所以功力只显三成?

  • 心俊 7小时前 :

    最后她选择在剧中装傻,但现实中还是骗不了自己。

  • 佼韶仪 5小时前 :

    妮可女主提名还是很有说服力的,其他的提名没啥很强的说服力,只能说看着还行不够亮眼。。。剧本嘛还行吧

  • 初珠 4小时前 :

    每一个桥段都很想说:we see you behind, Aaron Sorkin!

  • 律元武 5小时前 :

    觉得挺好看的呀。基德曼阿姨越看越觉得演的很厉害。

  • 将妍芳 0小时前 :

    想说的东西太多,没有拎出清晰的脉络。反复的闪回再加上妆造区别不够大导致中间很容易迷失在时间线中。Kidman的表演中规中矩,让她演喋喋不休的角色没有大魔王来的自然

  • 伟乐巧 6小时前 :

    有点没必要的长,闪回也觉得不是很必要,时间线混乱,还有别人提到的妆造问题 让人无法第一时间分清时间线。

  • 信振 7小时前 :

    每一个桥段都很想说:we see you behind, Aaron Sorkin!

  • 御若云 1小时前 :

    时间线很混乱,叙事也平淡,就看看Nicole养眼吧

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