"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
春日部防卫队！你永远可以相信春日部防卫队～
這一部實在太有趣了，連蠟筆小新都玩起推理元素了，結局真是感動到奔淚呀……
最后跑起来时一系列关于青春是什么的描述可真热血！
风间和小新真的磕到了，互相表白谁能顶得住！“大切なもの”！
原来你是这样的風間くん 原来你就是喜欢小新嘛哈哈哈
各个漫画ip，唯有蜡笔小新还保证了编剧的质量。在世风日下出此主题真的很贴切。其实相比日本的青少年，中国的青少年更缺少青春的体验，每一步都是为了将来成就世俗的成功而迈，可是，讽刺的是，在失去了生活本身之后，人已经很难幸福。
悬疑向剧场版绝赞（虽然是小新味儿的无厘头悬疑，dying message也太搞了），个人认为这是小新最好看的一部剧场版。
本片在近年来的蜡笔小新剧场版里属于让观众眼前一亮的存在，在“精英教育能否孕育出人才”这一困扰东亚各国的老生常谈的问题上给出了自己的解答，也通过小孩子们的视角给了青春一个诠释：青春可以是放浪形骸、可以是忧郁孤独、可以是两小无猜、可以是笔耕不辍；青春绚丽多彩，青春总有遗憾，青春是你我一辈子最重要的回忆。
这不比柯南推理强！ 看什么柯南 赶紧来看蜡笔小新！
3.9最后居然看哭了。和《心灵旅程》有异曲同工之妙，刻板制式化的精英教育，是不是我们真正要的呢？接受平凡和接纳自我，也是最大的命题。最后青春是什么，热血沸腾下，我们真的需要这种鲜活的生命，不是吗？
Fire！青春！
我还是更喜欢b级美食那一部，蜡笔小新的人物真是越来越ooc了
期待了好久的剧场版。终于看到了。只有蜡笔小新才配得上永远的神。
还好，春日部防卫队永远五岁。其实不会真正去面对分离的，我的新风。
作者：HELIOSCARS（来自豆瓣）
看过老版蜡笔小新，感觉这个小新配音没有以前舒服
最简单的道理，从孩子口中说出来反而显得珍贵。
青春是mistery～总觉得千潮身上有小椿的影子。
“总有一天，大家会分道扬镳，然后还会交到更多更多的新朋友，你懂不懂啊？——我完全听不懂啦，我只知道要把握当下！ ”蜡笔小新涉及到的价值观总会让人惊喜。
作者：HELIOSCARS（来自豆瓣）
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