Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
Haha it’s pressure for the European guy but not for us in China.
我看出来了，月初感慨自己只是被绑架上制高点的走狗，这个说的真不夸张，看出点事儿把那几个老道士得瑟的，就差说“东方月初你行不行啊不行让我来”了。
后厨这点地儿能做到一镜到底就真的是太有代入感了，看完即入行
最后的结局有丝丝突兀却又是料想之中
月红真的好嗑，年上狐妖大姐姐X年下小道士。
会不会有月红3？看不够啊！！（呐喊，动漫组听听群众的呼声！
但确实一开始就不是奔着特效作画去的，看的是情怀，三星给狐妖系列
我复制个月红的一首歌吧！《若当来世》挡不住风霜。为魂驰萦梦天下名扬。未曾说过的话。指尖凝成沙。看不清对错（愿背负结果。那心底烙印着的罪过。虚伪的淡漠。汇聚成漩涡。而我不知不觉把自己遗忘。只想为你完成那个梦想。在眼泪中流淌。不能忘。只因为。鲜血浸染铭刻了悲伤。穷尽一生将杀戮踏碎。不知彼此来世相逢。是否还能。记得我是谁。从始至终我无惧无悔。心中了然你无怨无悔。愿出一切曾经拥有。只会赌一回。千百年的牵挂。许下的愿望永不风化，等待命运的回答。在相思树下。 ——看过漫画的都会有更深体会，这首地沉婉绵的气氛很适合这剧情，
哎，情人节看的，大失所望，东方月初的胸肌太让人出戏了，还有这个画风，还有这个情节。后面有些台词有尬到我
中日合拍、制作极其粗劣的同人大电影，画风崩坏，在原作的剧情基础上有填坑，但细节上与原作有出入（如结尾的王权富贵向霸业展示黑狐）。因为时长限制，故事发展得太快，煽情部分毫无感染力，月红决斗和大战黑狐也刻画得非常潦草。
有时间再看一遍
4分不能再多了，我完全是为了搞清楚东方月初和红红当初到底发生了什么才去看的，画质什么的我都不想评论了……
弥补了之前对月红篇所不知道的事情，让月红篇变得完整，东方月初和涂山红红的爱情实在是让人感动，唉，看完后感觉意犹未尽，还想多看几遍。
【B+】出乎预料的好片。一镜到底本身就足够考验场面调度力和演员功底，再加上演员出色的演出让观感变得非常棒，完全是沉浸式体验。不过剧本上很多冲突点的编排其实可以更大胆一些，还有一直期待的第7桌的矛盾并没有铺开来讲有点可惜。
画风丑，剧情白痴，打斗场面垃圾，人物对白苍白……
有惊喜！！求婚告白什么的，我直接尖叫！！谢谢月红2圆梦，我宣布这一部成为我的国漫top1！
一镜到底很高级吗？浪费我一个半小时看个焦虑。
活着太难了，人生太难了。Is life always this hard, or is it just when you're a kid?— Always like this.
全程跟着剧中人物一起紧张，算是沉浸式观影体验了。
希望我们每个人都不会成为Carly。。 以及最近看什么片都会受到incoming中年焦虑的冲击 饶了我吧球球了
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