"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
完全是在消遣金属乐。客串了几个知名乐手都不知道玩过多少皮骨肉的人劝少年爱情 就好笑。 鼓手听了几首歌跟着练就会了？这么神
哈哈哈哈，谁说玩重金属就要血腥暴力，要嗑药要堕落？咱就是说，音乐是音乐，该走正途还是得走正途。
校园戏无趣。女主有点像年轻时候的海伦娜，朋克黑暗暴躁公主。亨特好中二哈哈哈哈，金属至死的雄心燃烧起来吧......
虽然不懂金属，但是玩音乐搞乐队的高中生真的酷。国外的高中活动也太多了，日常尺度也真大。最后艾米莉一身黑裙拿出电子大提琴的瞬间帅炸了。
情绪上没引起共鸣，没有带入角色，只是在看他们在挣扎，但是没把内心波动表达出来
重金属和高中生并不冲突，女主很纯真的感觉，反差萌。
演员真是学会了架子鼓和大提琴哦 赞 国内这种电影肯定就各种替身了。最后的氛围感满分。杰登小时候感觉挺细长腿啊 怎么后来不长了 可惜了。男二这身材就是玩金属的人的感觉啊 胯好窄。女主最后的金属风裙子 可以可以。大提琴的金属feel很不错。这里的架子鼓比日常见到的高级，这种速度力量的架子鼓打起来 感觉像一场有氧锻炼，手腕 臂 背 腹 腿都有锻炼到HH
I do not know.
我竟然觉得是好看的！最大亮点是Emily！太酷了！
What's the price of freedom? Everything!
青春，热血，大提琴搞重金属还真是喜闻乐见啊
鼓手打的不错，那套鼓也不错，国内奔着十万以上走吧，主唱片尾的那段solo挺好，然而除上述之外，片子不再有其它出彩的地方。音乐总体一般，完全比不了“重金属囧途”，故事很硬，还选了高中生作人物，整部片子不温不火，没多大意思，音乐也没多大意思。
提摩西夏拉梅风评被害。
本来是想看教父的，结果点错了，说真的很一般，先不说主要角色都硬要跟黑人有那么一点关系，假设俘虏的父亲真的跟描述的一样，他会请一个黑人保姆吗，不嫌脏吗，而且最后被枪杀了，我就假设导演是黑人，整部电影一点作用都没有了，当然你也可以说都是白人的错白人害她死了，而且我搞不懂他们的动机，就算真的走了程序释放了又怎么样，完全没想过这样只是害自己和自己女友死，每一个龙套简直就是在迁移默化地给你洗脑，只要你坚定不移的站在黑人这边你就会觉得挺好看的，可我只觉得他们连脑子都没有，还有孕妇的设计，有必要吗，我以为会至少按套路来结果连套路都不套路，最后战绩已方全灭，附赠一个“黑内鬼”和一个好人，挺浪费时间的
在年轻的时候，为自己想做的事而努力，可能这并不是想做的事，只是刚好遇到了可以努力的事
虽然我是真的欣赏不了重金属音乐。但是看下来也无压力。男孩和女孩在床边接吻，女孩回手勾男孩胳膊那，突然就击中了老人家的少女心…
from skullfucker to skullflower is just like from hate to love.
“要用什么才能换来自由？”“everything”
挺喜欢那个小女主的啊。。。很有初恋的感觉。结尾这样断腿也太残忍了吧。。。然后拉大提琴真的可以rock的吗？
我真的很爱看这种影片！可以说是从头到尾都看得很开心了。
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