A witty, exhilarating and mind-expanding exploration of the word of our times - data - with mathematician Dr Hannah Fry. Following in the footsteps of BBC Four's previous gleefully nerdy, award-winning maths films The Joy of Stats, Tails you Win - The Science of Chance and The Joy of Logic, this new high-tech romp reveals exactly what data is and how it is captured, stored, shared and made sense of. Fry also tells the story of the engineers of the data age, people most of us have never heard of despite the fact they brought about a technological and philosophical revolution.
For Hannah Fry, the joy of data is all about spotting patterns. She's Lecturer in the Mathematics of Cities at UCL as well as being the presenter of the BBC series Trainspotting Live and City in the Sky, and she sees data as the essential bridge between two universes - the tangible, noisy, messy world that we see and experience, and the clean, ordered, elegant world of maths, where everything can be captured beautifully with equations.
Along the way the film reveals the connection between Scrabble scores and online movie streaming, explains why a herd of Wiltshire dairy cows are wearing pedometers, and uncovers the remarkable network map of Wikipedia. What's the mystery link between 'marmalade' and 'One Direction'?
The Joy of Data also hails the giant contribution of Claude Shannon, the American mathematician and electrical engineer who, in an attempt to solve the problem of noisy telephone lines, devised a way to digitise all information. It was Shannon, father of the 'bit', who singlehandedly launched the 'information age'. Meanwhile, the green lawns of Britain's National Physical Laboratory host a race between its young apprentices in order to demonstrate how and why data moves quickly and successfully around modern data networks. It's all thanks to the brilliant technique first invented there in the 1960s by Welshman Donald Davies - packet switching - without which there would be no internet as we know it.
But what of the future, big data and artificial intelligence? Should we be worried by the pace of change, and what our own data could and should be used for? Ultimately, Fry concludes, data has empowered all of us. We must have machines at our side if we're to find patterns in the modern-day data deluge. But, Fry believes, regardless of AI and machine learning, it will always take us to find the meaning in them.
好邪典！第三个故事的主观视角有很强的代入感和悬念感。第一个故事的jump scare着实吓着我了。
地下黑作坊剧情够重口……但是整体还是太不知所云了
很邪性，对，就是那种精神疯癫边缘的劲劲儿很正，很难得！只是录像带看完会死人这种设定可以改改了。
作为致命录像带爱好者我竟然今天才知道出了第四部 这还是我昨天看完夜间小屋顺着导演摸过来的 我才发现这味道演的作品我几乎都看过 这部在vhs系列里面太平庸了 有点失望
看完“警长说电影”剧透来的，下面附上链接：https://b23.tv/3PIzWS
三星半，喜欢这种伪纪录片的片子，第一个故事鼠人摄影师被抓那里吓到了一下，其他画面都中规中矩，只是有点重口味。最喜欢的是第三个人造人大战，给了感官上的刺激
地下黑作坊剧情够重口……但是整体还是太不知所云了
第一个，第三个故事是我最喜欢的，第二个故事结尾稍微有点俗套，第四个故事感觉是有隐喻的，但没怎么看懂。致命录像带也算是我伪纪录片的引路人了，可以的话请一直出下去
恐怖短片4+1，清晰度和恐怖氛围看来在一定程度上是负相关的...这一部又回归了第一部的低画质走得复古风格，反而更有味道了，第三个人体机械改造怪人生猛重口最为出彩。
总体合格 主线比较无聊 其余小章节都有惊喜 尤其肉体改造那篇 有《铳梦》的味道了。
這系列就是這樣，僅止於有趣，但都說不上好看。
致命录像带4：波基普西录像带
总体感觉不如2，3。但奈何是这个系列脑残粉，还是打了5星。因为还是那股熟悉的cult味，尤其喜欢第一个故事结尾，大呼过瘾。
总体差于前两部，但是比第三部好，画面质感加录像合理度都回归了前两部的原装风格，最喜欢前两个鼠人和守夜的录像带，鼠人加入的电视节目放送风格，又有都市怪谈的意思；守夜的氛围营造最优秀，空无一人的灵堂加后面扭曲尸体带来的刺激都很好；第三个印尼故事延续了第二部那个的生猛，但是视觉刺激强不等于好，与整体录像带复古风最不搭；邪教那个倒是很有邪教类纪录片的感觉，但是没什么意思；串场的整体故事最差
血浆cult世奇物语的感觉，玩的是“恐怖来源于模糊画面”的噱头，第三个机械女孩的故事最佳，不过总感觉表演有点浮夸的喜剧感……而且画面清晰的脱离了录像带感觉了，反而没气氛了……
将各种恐怖元素粗暴直接地糅合，不同录像带之间看不出有啥联系，割裂感较重，伪纪录片和重口味片爱好者必看吧。
机器人那段挺好，是不是预算不够啊只能拍这么一小截
串联主线好没必要hhhhh 喜欢Timo拍的那段其他无感叻。虽这么说但这一部看得最心脏发麻（？
老鼠怪和机器人两集最赞，shudder接管后收敛了好多
对这一部比较失望😔。四个故事只有人形机器比较有意思，鼠人、守灵夜和吸血鬼武器都很简陋，猎奇有余，理性不足，看不到广义的科学精神，本来每个故事都具备潜在的科学质素。吸血鬼武器里面把吸血鬼的血改进成肉体炸弹令人匪夷所思。贯穿四个故事的第五个故事是最无聊的，原以为要大干一场，结果把观众当猴耍了😓。不过话说回来，背景设定在1994年，整部电影倒确实有那个年代电影的粗糙感，复古迹象很明显。
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