The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
旁观者的视角很容易让人产生“唯我清醒”的感觉...看懂了讽刺又怎么样呢,继续摆烂吧。
这部并不好看的喜剧比我的2021年还有趣 sad
旁观者的视角很容易让人产生“唯我清醒”的感觉...看懂了讽刺又怎么样呢,继续摆烂吧。
鹰酱一如既往擅长自我嘲讽,大家看完乐一场,实际问题还在那儿。
what did I learn in 2021? I learned that nobody learned anything in 2020.更像正经纪录片了,可能真的是太离谱笑不出来了
非常荒诞又是现实真正存在的事件,世界变得越来越没有理性,无脑疯狂。回看,2019年是那么的遥远
“从2021中学到了什么?我明白了,没有人从2020学到一点教训”,看完好笑又有点悲哀;梗挺多的;练听力和了解时事的好机会
the british lady and the american lady are still the best at their roles. do we even want to remember what has happened this year? cause its a total shit show with no promising ending
又是打着字母幌子的小清新片,涉嫌欺诈,相当于举着重庆火锅的招牌贩卖清汤挂面,骗骗小孩子还是可以的。
人设太有代表性了,这么看来让他们每年聊聊热点事件就能完成节目了,有料有趣却又无聊,请不要用这个系列代替黑镜圣诞篇… “纪念”每年被封S的明星那段倒是有创意。
这玩意儿能有续集,本身就很魔幻了,魔幻的不是这玩意儿,是这个世界。
用真真假假的刻板印象来拍2021中的刻板印象,也挺有趣的。
看片名以为忙内学坏了,其实没有你们想要的画面
“去死”系列可能要成网飞的年终固定节目了。
同样一个套路,放在大洋彼岸拍就是情欲试探或是探索性觉醒再到“真我”挖掘,身体动了,心智也要觉醒;放到更“内”的影视制作语境里,自然也就顺其自然地发展成了“欧尼与小狗的快乐结局”这般糖水(因为再“过火”的演绎已经有那些小电影了,自然不需要那么做),对照起来看有意思。物料里的噱头最终被转嫁为李濬荣成功转型、用心良苦的几刻特写;徐贤“正直忙内”的团设在脑海里挥之不去,始终委婉把人推开。如同这最后不尴不尬的呈现,也看得一样在被束缚。
但比起让刚刚过去的一年去死,我更希望2022年,回到2019年的样子。
你以为你在看Netflix,其实你在看暴走大事件
你以为你在看Netflix,其实你在看暴走大事件
22.03.30 一个虚拟现实世界越来越诱人,因为在现实中这个世界还在努力杀手我们。
4. 社媒的能力是 monetize anger & despair
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