With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
比较刻意的一部贺岁档，情节太简单，不够走心
人物很可爱，故事也很流畅，人物有成长，推荐小孩子和家长一起去看！
费这劲儿来讲一个熊孩子当镖师的故事，真是闲了没事干了。
好烂的剧情和人设。小男孩的主角光环真的尬到我了，一个无理取闹的熊孩子能硬生生塑造成一个大英雄我也是醉了……不过小孩子倒是会很喜欢，也算是还行了吧
神机堂那一部分的故事也是相当精彩的，不错不错。
很好看！！！讲述的很动人！！！剧中的小虎墩立志成为一名镖师是因为大总管告诉他成为镖师他的父母就会回来，所以努力向上。
人物很Q，剧情不复杂，观看完图个乐呵。就是这委托镖的主有点奇怪也没交代清楚，难道真是神仙吗？
我承认我被媒体带了节奏，其实这动画电影还不错，虽然有些地方卖萌过度，可是整体是个不错的故事，还是原创人物故事，值得鼓励。
是一部有笑点、有泪点、有燃点的国风合家欢动画电影。
推荐推荐，故事情节完整，3D效果精美，国产动画片越来越让人感到惊喜了
没有各种动画大IP的商业运作，没有迪士尼皮克斯那样的大制作，简单的亲情、武侠、仁义忠孝礼……就已经是如今动画电影市场的一股清流。
但是，剧情有点老套。打斗的戏份也比较少，人物设定也很俗套片面。只能说勉强及格吧。
剧情方面还是可以的，适合带孩子去看，算是合家欢，但是制作方面还是要加强
此后清晨与黄昏，
要说剧情什么的其实只能得到4星，但是作为原创的国漫动画，虎墩是有诚意的。首先没有网红建模脸，其次台词没有玩烂梗。从抖音认识虎墩，希望他能走得更远
故事内核很好，场景和人物形象动作神态，尤其是刺激的武侠打斗场面是最大亮点。总的来说，观影体验很不错，轻松愉悦，有笑有泪有刺激，尤其看完发现全网几乎没有讨论和热度，很多春节档盘点的自媒体也都自动忽略了这部作品，很多观众也还没有发现这部片子的存在也还是挺惋惜的……
全片轻松，一个啥也不会的素人孩子有信念，啥都会的大人但没有信念。最后大团圆结局。适合带孩子观影。
尤其是在面对重大挑战的时候，理想主义和现实主义同时发力才有可能获胜，但还要有胸怀去接受可能的结果，毕竟很多时候胜利背后还有运气的成分。
贺岁档的亲子题材何以遭遇如此冷遇，几个影院一天总共加起来不到三场排片，而且呈现越来越少的趋势。看罢才明白啥叫老套，原来这些年电影的价值观审美一直在变化，这个显然跟不上时代了。但小朋友看着还行吧，6分不能再多了。。
虎墩作为抖音IP拍成大电影不易，在这么激烈的春节档挤出来点排片也不易，当然还是春晚的《乳虎啸春》更好看一些
Copyright © 2015-2023 All Rights Reserved
