The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.
The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.
Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.
The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.
It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.
"Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.
Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.
This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
The Empty Wake＞The Subject＞Storm Drain＞Terror＞Holy Hell（Holy Hell的最后是个什么东西...）。整体比Viral好一点，但是比不过2和1。（有些失望，以及感觉94这个后缀有些让导演们束手束脚了）
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第三个故事真是生化危机本机了，真海森伯格！
第四个当个笑话看看吧，还挺好玩的
几个故事都挺无聊的，也就第二个机器人的故事还稍好一点
不行不太行，第3个故事可以但是格格不入单独出来拍个片成有点爽。
看得我太爽了，好久没有这种感觉了。意犹未尽。cast部分也很cult朋克！
伪记录短片大拼盘，很无聊。故事、氛围、特效、演技什么的都很平庸，第三个还行，稍微看到一些人性的探讨，这个被改造的女孩真是惨，想要活下去有错吗？
机械姬6.5 出奇的好 其他纯属亏钱，2好故事很无聊，不过成本也不高，还算能接受。
我太爱这种脑浆电影了，特别是机械和人结合那段…………这个世界其实充斥着邪恶，但却始终用美好去粉饰，这让我非常愤怒……我情愿在电影中的世界沐浴鲜血……因为它们本质上根本没有区别。
把人造成机器和杀人团队的二个故事有些无聊，其它还好。电影还是按以前的形式，分为几个故事，主线故事也变化了。隔了好几年的致命录像带，终于又出电影了。
就挺一般的，负责串起来几个短片的大主线尤其弱智。
只看了第一个，对这种劣画质又晃个不停的实在是不感冒
从VHS前三部曲爱上以至于无法自拔的我这些年把大大小小的伪纪录电影都看了个遍，虽然说各有千秋，但如果提到爽感和震撼程度排名第一的，那必然是VHS系列。等了这么多年，终于来到了第四部。这一部可以说是一个外传系列，故事也推移到了94年的复古纪录风格，印尼Timo导演的东南亚血浆风格让整部影片的爽感进入了一个其他伪纪录电影无可比拟的天堂...不够看不够看，期待还有续作！
这个系列当故事会看，这部就第三段人体改造的故事比较喜欢。
最喜欢the empty wake，氛围感太足了，好几次吓到尖叫，其次是机器女，场景和机械设计很狂暴，最后是老鼠人，不过还是有点没头没尾的，总体来说回到了前作的感觉！喜欢
艹，玩儿的太开了，小时候玩过的鬼屋游戏和重口黏土动画竟然能拍成真人版，百无禁忌的残酷想象力，一边看一边心里惊叹“WHF?!”好久没看过这么胡逼的片子了。
可以说是血腥录像带，太血腥残暴了，太惨了，反胃，不过这样的片子吧伪记录片的感觉做的还是很好的，特别是变态博士改造人，血腥的杀戮，可悲的人体。
这个系列这么玩下去要完啊，总是玩血腥挺没意思的
1=3＞2=4=主线故事，两个不错，三个不太行，所以只能给三星。
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