Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
心疼麦麦，这个系列到底了，剧情之无聊就像里头强拗的笑料一样尴尬，人物塑造从正面到反面一个赛一个地单调乏味，毫无惊喜，就算是麦麦的GG也是一样，质量再好的演员给扔进去也是一样被平庸化，折腾不出啥深度来，导演和编剧才是一部电影的船长和舵手。下部再拍当然还是会看。总之比起全员路人同样无聊的上一部，这部至少我还有麦子可以看吧（虽然他的戏份也谈不上多），加上为关闭月余这两日才放开的本市影院贡献一点微薄的力量，这票价花得倒也不冤。
比上一部好看很多，尤其喜欢邓布利多对战Credence和和纽特救哥哥这两场的设计，前期的分线做任务式剧情也有悬念，到了后面选举和麒麟啥的实在是太过儿戏，看得几次笑出来（但是想想今天荒诞的世界竟然也有点应景）。。以及，看的过程中始终浮现一个感觉，如果不是有IP的加成，这类故事内核已经开始过时了
箱子戏法已经不新鲜了，上一部也不记得讲什么了。。。重回霍格沃茨的感觉真好！金色飞贼打了个酱油卖了个萌。。。两人横着走也蠢萌蠢萌。。。配乐几乎没有存在感。。。//with @小龙须
小学选班长真是笑死我了。刚分手的邓布利多坐在婚礼门外的长椅上却没有一个人邀请他进去，也太可怜了吧。另外米勒到底是谁？什么叫他也是邓布利多？
系列电影的感觉还蛮强，用一两个新设定和先前的人物关系做骨架，粉丝情怀神奇动物来填充，五部曲的中场～稍事休整。纽特特能扭，GGAD不负期待奉献名场面，不丹异域风也算交货，然后就没有然后了，btw要是现实世界真有魔法可救就好了。
如果把片名中的“邓布利多”理解成个体（阿不思），那么对于粉丝来说，他与格林德沃那点事儿早已人尽皆知；倘若将其看成邓布利多家族，那么对于普通观众而言，路人弟弟阿不福思认儿子的戏码不够有说服力（第二部沉海的女人到底是谁？本片也没交代）。谍战元素外加西部片风格的动作场面（渲染环境氛围的影像，一杖定乾坤的巷战），掩盖不了爱情片的实质，即使中文字幕将“love”翻译成“感情”。罗姨掌控剧本，起码情感的铺垫足够细腻（角色的纠结与反水，乃至魔法世界的权力争夺战），可惜，草草收场的坏毛病还是改不掉。加之大卫·叶茨那可怕的慢动作以及碎片化叙事，让人按耐不住。大众只想看正邪大冲撞，至于大叔们的爱恋，就该沦为小雀斑、神奇动物们路人式的存在，否则，影片只能如片名那般，像雾像雨又像风，终究是一场游戏一场梦。
神奇动物在哪里？反正不在这部电影里。但凡看过一点东亚神话的人，应该都存疑电影里头那几只哪里神奇了。JK罗琳编故事能力越来越差，就连邓布利多的秘密都讲不好。啥秘密啊？不就是和格林沃德坠入爱河、立下血盟么？就这讲了两个小时？如果不是哈利波特全系列和神奇动物系列前两部看过几次，就这部电影的剧情，反正我是完全感受不到两人的爱情。克雷登斯从前两部的核心角色退化成了工具人，一点存在感都没有，默然兽哪儿去了？把阿不福斯这个抛妻弃子的人物引出来呗……邓布利多所谓的迷惑计划真是让观众迷惑啊，除了复制皮箱，似乎就没有第二个点子了吧？不是吧不是吧，这就骗过了格林沃德？总结起来便是故事和特效同创新低，JK罗琳如果真的江郎才尽，我建议别拍了吧……
华纳，你要么给我看无穷小亮大电影，要么给我看六大派决战光明顶，你TM的给我看叔叔卖腐是什么意思？
傲慢的迪斯尼高高在上，女拳的破坏力深达肌理。伪善借助电影发声筒再度传递善恶之辨，不止向外，亦由向内。结合时代形势、德普官司，这部系列作品的成色越加低廉滑伪。
不行我真是越想越气，选举就跟弱智似的😅给我看乐了，魔法世界的人们选谁都欢呼，是不是有什么毛病啊？
3真的扑街了，找不出任何亮点，从头到尾就重复着哈利波特宇宙的陈词滥调……话说回来其实我真的不反对捡点哈利波特原著里的垃圾，那么多的梗和铺垫，你哪怕稍微加工一点都还能看的。然而令人失望的是：不管裘花和麦叔怎么张口闭口“爱“啊“恋”啊，甚至结尾互相摸胸，我都没看出他们之间哪怕一丝一毫的CP感，毕竟书里写的那个眼神中有点George/Fred捣蛋鬼神气的大魔头，那个死都不希望邓伯多坟墓被打扰的大魔头，最后呈现出来却是这么一个无聊无趣只会杀小麒麟的面瘫呢！（如果让我编，我就要G在竞选上舌战群儒颠倒众生，揭开其他候选人的伪善面具，就冲这个看不惯陈腐的叛逆劲儿，D才不后悔17岁那年的初恋心动😄）
大卫椰子请滚出魔法世界，不要再用你贫瘠的想象力和粗糙的视听语言毁梦了！华纳已死！逻辑稀烂，主客颠倒，情节拼凑，人设崩塌，重点不清…几乎挑不出个优点，感谢老汉替演（不过老汉上一次来魔法世界也是个工具人，就这么烂的剧情感情线全靠演技托着）。总结为四个字——什么玩意！五年前前传出来的时候，绝对想不到会是这么个走势😭
旧人不知我近况，新人不知我过往。近况不该旧人知，过往不与新人讲。人生南北多歧路，君向潇湘我向秦。
我们在青葱岁月里相爱，走上分道扬镳的道路，到人生迟暮成为各自领域势均力敌的领袖，拥有了一切，别人尊敬你，仰慕你，畏惧你，“现在还有谁会爱你呢”，没人见过全部的你，除了我，但这爱早已奄奄一息
年龄这么大了第一次看首映，感觉年龄大了熬夜看电影真的会猝死，回家差不多应该三点半了吧，害怕明天起不来上班，想睡一会但是imax场真的吵的闹腾。
关于神奇动物的部分是不是才尽了？只剩人气萌物，然后就只有开场从张家界得到的麒麟了。
神奇动物真拉胯！属于看完即忘的那种，全程都在思考这步是想干什么，那步又是为了什么，看完之后觉得想多了，就是单纯的水时间而已。
电影里大家都是衣架子，衣品永远在线。人多落魄衣品都不掉线。
从电影表现角度我还挺喜欢 和你讲精彩 情节比较清晰明白，但是感觉太简洁，这集主题很清晰，但是这个系列主题比较散
嗅嗅也没那么多戏份
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