Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
“还会再见吧”谢谢藤本先生
浪费剧本和制作资源的典型，山口晋就是个废物，从高达AGE以后蛰伏十年还是这么个熊样，所以为什么能做的这么平铺直叙毫无感染力?简直和老年人动漫一样脱离时代，就这种水平活该被业界淘汰。
小时候看漫画印象很深，长大了再看会有一些较真的想法，怎么能干涉其他星球内政啊
去看之前已经做好了心理准备要么打一星不然就是五星好评了，没想到这次的剧本好太多了！小夫形象丰满了，静香也参与战斗了。还有就是巨人粉狂喜。敌方输在了他们没有立体装置哈哈哈😂
台词梗好多
Do you hear the pirikese sing
新版我可以看（哭
解封后影院看的第一部，汽车影院。我女儿看得很投入，我俩全程刷手机
前几年的剧场版都是和室友一起去看的其中两次还是全寝一起。好怀念。
被独裁者支配的外星人在自由党总统的演讲下觉醒，与总统找来的巨大地球人外援共同实现自由同盟。
不喜欢星际题材的动画片，但是蛮可爱的，小夫的恐惧很真实，天赋自由很棒
自从蓝胖子进大陆院线以来，每部都是在电影院看的，因为以这种完全复刻长篇漫画的故事构成，自己看是进行不下去的。
这一部连静香都开战斗机打仗了！哈哈哈哈哈哈～
比《星球大战》还要低幼的《星球大战》，说什么都像是喊口号，声音尖利得让人受不了
已经连续两年在电影院看哆啦A梦电影了，看完这次就是连续三年了。
从电影角度说：绝不是佳作。但从个人角度：只要一直更我就一直看，哪怕炒冷饭，至少蓝胖子一直在，童年已经一去不复返的但童年的记忆却不会远去！
走入被封了几个月的电影院，看到“天赐我们自由”的时候，属实有点想哭了。
总的来说，特效方面没有让我失望，但是这次的重置没有之前那么好，出木杉依旧没排面，看完了四人拍摄的电影后就非常的震惊
改编的确实一般…本身这个故事确实不适合子供向…但原著真的好啊Orz…
我中间睡着了两次，儿子们一直全神贯注
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