Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
剧情虽然简单，但是人物都挺鲜明的，打戏满分。看得出来比动漫用了更多经费
被称为“国漫巅峰”的作品有很多，单论武侠，我愿称《枕刀歌》为最强。
完成度很是不错。武侠讲到这个份上在这个年头已经算是不错了。
动作设计一级棒，四星抬到五星，遗憾是剧情短板了。
没想到喜欢的，居然是反派：“我没有错，只是败了。”
7有老派武侠片那味，剧情简单恩怨分明，只需要闯关打怪。但反派动机确实弱了，有些牵强。
太拖沓，有的没有桥段太多，挺大情怀的故事，却编排的小里小气。聊天泡妞思念之间，铁路就通车了。获2021青龙4项提名，颗粒无收。5.4
果然真实事件改编就是有局限性，要是真正的电影应该这样拍：火车造成这么多的伤亡，政府却不管，于是暗中纠集众人炸了隧道，引来媒体追根溯源……
动作设计拉满，动作细节拉垮，剧情就是没有剧情
首先，江渊死的真的莫名其妙，根本没必要也不合理。哦，彩蛋显示没死。
场景真好，动作也不错。美术、人物、对白，也太差劲了吧。后面看得我睡着了。
韩国电影总是编得太过了
剧情，特效，动漫，国风，都很不错，点赞。 缺点是有点像初中玩的小游戏画风。
视而不见，与刽子手同罪。
创意很有意思风格也很稳定观感很舒心，唯一的bug就是演员年龄感还是大了，找更合适的演员可能会更契合些。
说是目前的国漫天花板不算夸张。剧情紧凑全程无尿点，动作行云流水拳拳到肉，人物个性也算鲜明。尤其难得的是反派立得住，有一套自恰的价值观。画面、配乐都极美，不过3渲2可能有些人看不习惯
2.藤新好厉害，完全没听出来，我对他的印象还停留在包子入侵
西门可真的太像阿谢拉特了🤷
没有刀，杀光侠客，难道就没有人犯禁了吗？振聋发聩
对比正传剧集稍弱，主要是主角相比正传无趣的多，倒是反派西门仁不论是话痨还是武器、打斗都是全片最亮点，好消息是画面比正传要好了，估计剧组终于有点钱了？还是继续期待一下正传第二季吧
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