Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’
The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
7.8，确实还不错，演技和笑点都比较自然，转折老套但是完整，也没有什么尬笑的地方，内涵也有，整体就突出一个自然，已经比很多院线电影好了
牛硬朗真没发财的命，不管怎么说这彩票也应该买两张，中了等于没中
能感觉想学肯洛奇《风吹麦浪》 也能感觉没学好
对所有爱笑出身的都表示认可和祝福，崔志佳棒棒的
出乎意料的还不错，细节上再打磨打磨，应该是个小成本佳作！
总结：故事结构合理，反转也有很好的解释，最后主角和刀爷一种不同的关系解开，很有意思。每一个处理的细节都值得去推敲。有一说一，二手玫瑰客串很惊喜，葬礼的场面很盛大，节奏很合理。
其实能做到及格的，还是有一些突兀的地方。前半段是满分
看完了。挺不错。风景，小乐趣，一个个小品通过剧情衔接。二手玫瑰和谦哥孙越都是片段式的搞笑。电影太男人，情感表达太压抑，需要女人表达情感的方式，就会更加张扬，更加丰满。最后把那个赵大明白扔下去，那里的风景拍的很美。我花了很长时间看的。
挺好的。剧情简单但是完整，有笑点也有感触，还有许久不见的江湖义气。很朴实，很接地气。
演小品短视频的好好演小品短视频不好吗，非整跨界
北影节看完一直没标。挺特别的战争片，前20分钟好像老塔及60年代的东欧电影啊
一般般，受限制于审核，有点加长小品的感觉，最后搞个反转却尴尬到死的结局。拆成一段一段来看不错。
有几个亮点，总服务质量略低，不知道是不是因为东北话的原因
监狱都放过他们了。怎么你还不能原谅呢？爱与放过。
做喜剧能让人笑出来就行hhh 有些煽情有点冗余，好好再琢磨下剧本，我愿意看爱笑会议室的演员演戏
没啥意思，浪费时间，什么时候能真正拍一部东北老百姓的真实故事呢，而不是这几个导演自我陶醉的用所谓的东北腔调进行一些恶俗的，不切实际的所谓搞笑，抹黑东北人的形象
第一次看一部片头名字都认识的电影，但是感觉好丢人啊！
完成度挺好，细节也不错，复原了澡堂文化，二手月季也唱了歌
还行，抖音预告我都看的差不多了，崔志佳第一次导演，还行
就因为梁龙一句这些最多唱一宿。看完了电影。三倍速+快进看完。
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