Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
虽然没看过系列的其它作品，但却能够真实感受到本片与前四部的密切联系，对于系列作品的粉丝来说应该会感到满意，也是近些年来好莱坞的优秀系列重启电影之一。三星。
一直get不到尖叫系列，新片依然，所谓的很多致敬玩梗即不新鲜也难笑，感觉作用就是出戏？老角回归对我这种没情怀的就很麻木，大半程重点都在观察迪兰也开始发面团了...
恐怖感还可以，按照套路开篇，这次拆成了两人了，也算不错
要深刻，要结构，要主义，要政治正确……鬼书，遗传厄运，它在身后，女巫……致敬近年爆款恐影的同时，也让也让人感慨经典恐影式微的遗憾。两代人的设定，席妮，杜威，盖尔，甚至是龙套玛莎，满满回忆。
刚看的时候没注意，以为是<惊声尖笑>，心说这也不咋逗啊。可惜了，不是这个系列的粉丝，很多梗届不到，一定是少了很多乐趣。
8分，不知道怎么说，我就是喜欢这个系列，爱不释手。。。没想到从高中到现在第五部，做了剪辑了，还这么爱这个系列。。。一定是真爱了
最可笑的其实是我，竟然把这么烂的电影看完了，也够弱智的。
这个系列就跟影评人拍电影一样，说起来头头是道，自己做起来该犯的错误一样没少犯。
作為續集滿不錯的。
well 我觉得电影票房差点就是编剧导演跳出来告诉观众这不是一部传统意义上的续集 谁也别想终结这个ghostface 可说白了还是一部中规中矩的slasher啊…
影迷的反击。而影迷也没有写出一个好的ending。这部更像是勉强版的惊声尖笑。
最后，反派还是死于话多！！明明可以咔咔几刀把人捅死或者砰砰几枪把人崩了！就不！就是要讲来龙去脉！！
杀手的动机竟然跟第四部一样，毫无新意...可惜了警长
比4好看，女主最后真是又狠又帅（换谁不得这样啊哈哈哈）
但凡剧情合理一点 只有谁是狼的猜测稍显的有趣一点
还有凶手的战斗力能轻松干掉运动达人和警察，却屡屡在女主姐妹手下受挫，而且正常露面时没有任何受伤的痕迹，编剧是赶工交货的吧。
不得不说 鬼面现在都穿防弹衣了 真是时代变了 大人
没有看过前几部，可是这部前半还不错，后面太乱来了，质感一般，最后的结局还行
太懂粉丝的g点了，基本上所有粉丝想看到的情节都能在这部电影里看到。疯狂致敬第一部，主角团新旧交替，吐槽恐怖电影套路和“高级恐怖电影”，打破第四面墙。serial killer这一类型的恐怖电影其实带有强烈的游戏感。因为“出场人物一个接一个被连环杀人狂杀害”这种剧情是非常套路化的。这种套路除了吓到观众外没有其他任何内涵。观众能够明确无误的知道自己就是在看一部刻意制造恐怖的电影。而既然电影是在刻意制造恐怖，就会有一些让恐怖效果最大化的元规则/套路存在，比如jump scare出现的时机。一旦观众的注意力从恐怖效果转移到了达成恐怖效果的元规则上，电影就变成了观众与元规则的游戏：电影需要想办法打破元规则，观众需要不断预测元规则。这部电影虽然没有在元规则上有所创新，但却是这一类型电影暌违十年的复兴
迷影吐槽，吐了还是槽。dylan洗澡时吹的隐约听着还是are you bored yet……？😂男主（？）居然是梅格瑞恩和丹尼斯奎德的儿子……看脸完全无迹可寻……
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