You are never fully liberated from Auschwitz, 11 July 2016 Author: Red-125 from Upstate New York The French movie "À la vie" was shown in the U.S. with the translated title "To Life (2014)." It was written and directed by Jean-Jacques Zilbermann. The film is a Post-Holocaust saga, although it opens with scenes in Auschwitz that are truly horrific. Hélène (Julie Depardieu) and Lily (Johanna ter Steege) were friends in Auschwitz, and they managed to survive the death march from Auschwitz to Louslau together. A third friend, Rose (Suzanne Clément) was unable to walk, so they were forced to leave her behind. As it turned out, Rose survived until the liberation of Auschwitz. The three did not see each other again until 1962, when they come together for a reunion at a beachside resort in Northern France. We learn early in the movie that Lily divorced her husband after the war, and is living as a "free soul," with no permanent partner. Hélène and Rose both married concentration camp survivors. The plot of the film--based on the lives of three actual friends--revolves around their interactions during the reunion. No matter how much ice cream they eat, and how they display their new bathing suits, thoughts keep circling back to Auschwitz. They quarrel about tiny details which they remember differently. They revive horrible memories. It's clear that the reunion will change their lives, but whether the change will be for the better or for the worse is an open question. For reasons I don't understand, "To Life" caries a terrible IMDb rating of 6.1. Fortunately, we saw it as part of the excellent Rochester Jewish Film Festival. If we hadn't had "All-Event" tickets, we probably would have stayed home. This is a movie to be seen, not missed. Ignore the rating and seek it out. It's available on DVD, and it will work well on the small screen. See it!
人生如戏，戏如人生
非常一般。各方面质感都很一般。唯一亮点就是看男主在戏中戏里演一个不会演戏的演员。
第一幕和结局都比原版好 马丽换个人就更好了 《雨中曲》太短了是个遗憾 多一颗星给邢导演魏翔打气 希望大卖
吹得那么邪乎，结果就是个这。现在看电影跟开盲盒一样吗？
差点睡着了，，居然有这么无聊，这么尬的电影。。
一个并不适合马丽的伪女主，一个仿佛套拍《扬名立万》的布景地，若干对镖客、杀手三部曲及雨中曲的致敬，少许来自原作《魔幻时刻》的高质量笑点，以及各种为串梗剐蹭出的逻辑硬伤，我只能说，麻花为了捧魏翔也是蛮拼的！
包袱密集但生硬，每一处我都看见了但几乎没有笑出来过。假如可以冒昧地称之为电影的话，那这部电影给我留下的唯一印象便是超级冗长的舞台小品，并且一如既往地不考虑是否突兀，强行加入情节、升华人物形象，例如假儿子一幕。几处反转更是像章子怡曾经的点评：“无法让观众相信这个角色”，包括米兰从欺骗魏成功到舍身相救的转变、卡尔从刺杀哈维失败到协助除去吉米的转变。尽管致敬了诸多经典电影的镜头，我仍对这种廉价的伪电影嗤之以鼻。
原版起码是有立意在的，这版就是硬尬了，至于无厘头和致敬星爷这几个字就别提了。
整个春节档，我一看到一部电影，哎呀，春节嘛，就是为了开开心心，快快乐乐的。你说电影质量有多高，也会been魏翔演的呢，算是不错，但是也没有太好笑点，也没有多多，但是整体就是喜庆嘛。
很奇怪这样的电影创作思路，夹杂很多电影梗却拍的丝毫不像电影，魏翔的大男主电影还是值得敬佩的，甚至整个电影的笑料也是有的，但真的不太好沉浸。原因在于《喜剧之王》打的底子，《魔幻时刻》的骨骼，《教父》、《荒野大镖客2》补的相，整个一个缝合出来毫无自我形象的电影这就是最大的问题。加上戏剧和电影不明的界限，对于一部电影的评价来说真的不太合适。甚至最大的笑料可能是剧中导演自然光、摄影机消失、无表演的表演的艺术追求理论瞎扯之后一副卑躬屈膝的样子，让人忍俊不禁的同时又有些悲观。
角色错位感会完成一本正经搞笑的喜剧感，频繁的经典致敬，可惜剧情太薄，撕裂的夸张感太重
吹得那么邪乎，结果就是个这。现在看电影跟开盲盒一样吗？
真的值四颗星。
一个适合串联段子的剧情结构，加上圆老师标准神经病的演技，一个合格的组合，架空的背景也不会让人太较真。段子都是拷贝的，惊喜还属预告片密集。
符合春节档的一贯气质，气质归气质，但看着实在太尴尬了
春节档最期待的一部了，果然没有失望，全程笑点无尿点，搞笑还是得看开心麻花！魏翔很有才华，未来可期！
尬演片，笑点没多好，倒是看了导演不停的致敬，cue其它电影。你这是在秀自己的阅片量吗？
后半段逻辑崩了，哈维中枪以后不管是死是活就扔医院里，小喽啰们也仅仅听了魏成功几句话就怀疑吉米了。哈维中枪了还能和好如初投资电影，属实是带好人。
春节档电影看了两部，一看，这部还在上映，女神节就来和对象看了吧。有点喜剧之王的意思，很好笑，又有丝丝悲情，魏翔表演大赞，量身定做，这部确实是含腾量为零的电影中，重量最好的。马丽充当了一次女神，感觉良好。导演慢镜用的到位，适合一家人大屏幕观看。
#补标# 开心麻花失去创作力了吗？这两年马丽遭遇了什么？表演简直灾难…
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