Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.
The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).
The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.
The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.
Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.
Roger Philip Mellor
太真實了.................有接過詐騙電話的應該就了解 ~
相比前传，此片好看很多。这种友情和亲情的表达方式和《小马宝莉》《速度与激情》的表达方式太像了。影片开头就致敬了《闪电侠》；在此片还可以看到《超人：钢铁之躯》《古墓丽影》甚至是《熊出没》的影子。
故事马马虎虎但是原型故事上明明中国警方功劳最大这里魔改+黑，棒子心态太可笑。PS看到过此片舔棒的评论更是除了长了根舌头啥也没长
金凯瑞演的挺好的，在悬崖那段狼嚎接问话的表演真的是绝了。特效相当赞！无人机雪山围剿+机器人万蛋齐发的画面，真的值得国内电影人好好学学。
比较无聊，索尼克变身你说不是借鉴的超级赛亚人我是不信的。
不功不过，索尼克和他的小伙伴儿们还是很可爱的。最后万磁王和反浩克装甲乱入，确实变成超英电影了，结尾彩蛋看来还有续集。
金凯瑞演的挺好的，在悬崖那段狼嚎接问话的表演真的是绝了。特效相当赞！无人机雪山围剿+机器人万蛋齐发的画面，真的值得国内电影人好好学学。
我的评价是比奇异博士2好看，，+(还有就是直到电影结束我才惊觉男主原来不是Chris Pine而是麦登登 难怪我在电影院daddy kink严重发作 刺猬别喊他daddy了 让我来٩😍۶
我给打五星不是因为片子好，而是号召大家看看，你可以把片子当成科普电影看，大家小心，防止被骗，下载国家反诈app
剧情立意挺好 当电信诈骗宣传片足够了 但你不扯我国会死？
剧本真实性先放一边，对中国的bbc滤镜更是无语。韩国警察跨境来中国抓人还当自己是领导？！真是恶心死了。
只留下三小只和金凯瑞，这部电影说不定可以五星。
故事本身立意很好，可惜展开极差，可能是为了追求动作片的爽，整个本末倒置，最后鸡飞蛋打，要什么没什么，最后警察采访搞成国产主旋律了，笑死。
永远都喜欢索尼克 就是这里太贫了 小狐狸真可爱啊！
用简单的孤胆英雄为妻复仇内核的电信诈骗题材商业电影，完成度不错，最后还觉着颇具教育意义。
cue了好多电影啊，范迪塞尔和巨石强森都没跑掉。还不错，动作宏大多了。不过最后那么厉害就造了个高达也是很无语
花了三个晚上看完的，有够催眠
都看了第一部了，也不差第二部了，完全是为了看金凯瑞
1辣的根本看不了，2居然看完了。很喜欢暗影，期待暗影出场！！
但是这个片子把诈骗中心设置在中国沈阳，涉及到中国的镜头和对话就太失真了，到沈阳车牌号竟然是陕A,普通话一股港台腔。尴尬啊！
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