The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements: water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive: Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.
The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator,
the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.
Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.
光影效果好看，剧情也还行～结尾蛮感动的～就是吴彦祖英文夹中文有点跳戏。老外听得懂“龟儿子”吗哈哈哈
出于私心给的4星，尼克和梅情感的描绘细腻温婉，一步步探寻一步步接受爱人过往的感觉让人着迷，我特别喜欢尼克最后的选择，有人会选择展望未来，亦会有人选择沉缅过去...
真爱可以charge世界，爱人之间的一个吻能够颠覆矩阵——多年过去了，越走越走一条路的Wachowski的cliche答卷。But what if they're right？
作为爱情片很不错很美，设定美台词美人美镜头美风景美，其他想要探讨的表达的东西浅了点，总体还是好电影！
-给我讲个故事，一个有圆满结局的故事。-没有所谓的圆满结局。所有结局都是悲伤的，尤其当故事本身是圆满的。-那就给我讲个圆满的故事，但别讲完。
像是盗梦空间、星际穿越、信条和致命魔术混剪回顾，让人再次怀念诺兰的光影世界。
感觉有点烧脑玄乎！貌似很多哲理哲学？往深了想是不是每个人的潜意识才是最真实的自己！？！或者说我们都在带着面具不能真实看清自己？好坏不是眼前的事实，二是你不知道的那一面？画面特效美术世界观拍摄一流！未来水世界也是普世的结果！
情怀作品 有点物是人非的感觉 而且在元宇宙概念出现的如今 作品中构建的世界相当耐人寻味 顺带吐槽了发展过快的数字媒介和社交媒体对于传统文化载体的冲击 虽然无力 但是意味深长
诺兰时代的“追忆迷局”，宣告了一种叙事模式、包装策略与概念文本的全面谢幕。
出于私心给的4星，尼克和梅情感的描绘细腻温婉，一步步探寻一步步接受爱人过往的感觉让人着迷，我特别喜欢尼克最后的选择，有人会选择展望未来，亦会有人选择沉缅过去...
為什麼不可以紅藥藍藥都不吃或是一起吃呢？身為ARCH Motorcycle老闆，坐重機後座不會覺得有些焦慮、或是......畢竟重機除了旅行車款，都是單座設計。
“Neo你还能飞得起来么？” “不用了 我老婆带我飞”
可以一看，但着实没1的那种惊艳，包括很表面的打斗动作设计也了无生趣
困在回忆时光里的恋人，和被忽视但在现实中守候的爱人的故事。
感谢吴彦祖。一直以来大家都是中文里夹英文，终于有人英文里夹中文了。
近未来neo-noir，可惜这位导演的剧本写不出多少人生况味，情感和人设都比较肤浅老套剧情展开也没啥新鲜，调色不乍地，全靠帅哥美女撑场。唯一新鲜点可能是路易斯安那大佬吴彦祖让美国黑话中加了一门新的外来语：普通话，将来兄弟们不懂得guanxi就当不了pengyou了
好吧第四部就是主创人员通过投影、电视机、记忆闪回和人工复述重温前三部的经典镜头和美好情怀。虽然很失望，但是娜拉在影片开头解释是在华纳的淫威之下被迫拍摄的续集，也在片尾彩蛋自嘲“电影死了，叙事死了。”好吧，我无话可说。
5/10，多多少少有点儿掉价吧，通篇都是自嘲，唤醒尼奥就如同速成出一个新的，相同的流程重复的味道，一切都是基于对前作的重温，黑客的伟大在于open mind，激发新的概念，但在这里，nothing new，即使是新元素的设定也显得陈旧腐朽，这好像是一个新作，又好像不是，尼奥说的没错，似乎前面做的一切都没带来任何改变，一切回到原点，重新开始，还是那些人，那些流程，再不断进行重置和revolution，尼奥就是鲶鱼效应中的鲶鱼，刺激整个矩阵循环往复持续运行，黑客帝国也就此归于一部平庸的反乌托邦作品，最可怕的是好像还有后续，小乔演的挺好的，下次别演了，总觉得他对尼奥图谋不轨…
这是个housewife fantasy，我的狗蛋老公可以去suck his d，然后基努里维斯my hot bf support my dream of becoming the next digital jesus！耶！
老了老了，打不动了，按情怀的态度看，剧情还好，在米国如今的环境没有加些奇怪的东西。章鱼机器人来矩阵这点确实说得通，其实就怕之后整个平行宇宙。（毕竟都能修复尼奥了，造一个应该也可以）
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