Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
女主练得真的挺壮的，太羡慕她的臂围和腿围了（看腹部绝对不是虚胖
中国影迷对迈克尔贝导演的两个昵称「爆炸贝」和「卖拷贝」就已经很好地总结了这部电影的特点。追车爆炸等标志性场景，再配合迈克尔贝导演一贯的碎嘴双男主叙事风格，让这部电影一看就是标准的「卖拷贝电影」。而在电影院观影的体验，也会让目标观众心满意足，追车场面因为使用了无人机拍摄还有更多的新花样。能够在影院大银幕看这部电影，是一个愉悦的观影体验。抢银行枪战那场戏按迈克尔贝说法，是对《盗火线》的致敬，不过两个导演的两种风格还是辨识度很高的。另外，本片女主角，是 Netflix 版《三体》的女主角，看完之后我有些担心 N 版三体的故事……
女主很漂亮，吉伦哈尔饰演的亦正亦邪匪徒很帅。紧张气氛营造的不错，全片银行抢劫追逐戏从头到尾，作为卖拷贝导演的电影没有什么大场面，娱乐性差一点
尴尬在phone sex的时候达到了最高峰…但耐不住男主really fucking my type啊……
《变形金刚5》里面的高饱和快切的延续，前者a级成本大作倒是没那么灾难，现在看来简直反人类，剪辑调度是灾难级别，紧凑感很差，不明意义的中景远景切换，至此越发感到r星电影级调度的优秀，警察倒是和洛圣都的一样蠢，论观影体验真的不如去开把太平洋银行，剧本真的没什么想法，配角戏给太多又极其古板呆滞，但总归是正常的电影，亮点在于gta式的奇观，尤其大段城市摄影很精彩，渲染出很多麦拷贝难以把控的情绪。
小吉的滑铁卢啊…没拍过烂片的生涯就这样被卖拷贝打破了。
时长太臭了，没有令人兴奋的场面，没有深刻的台词，剧情没有记忆点属于一天就能忘的类型，甚至连追车戏都如此平庸。 5/10
熟悉的卖拷贝式运镜，不过这一部没啥力气啊，没以前那么精致了。但是卖拷贝居然也开始玩深情了！
电影诞生一百年了，尽管不想承认，也许在电影院观看的方式也逐渐地无可避免的在走向式微。疫情加速了这一切，加速了很多事物的消亡。但在此时此刻，在电影院看到熟悉口味的爆炸贝，眼窝有点浅。我们习以为常的日常，也许某一天就真的可遇不可求。
主角配角都好好看啊！可以再open一些，西班牙青春电影和剧不说剧情，演员真的好看。
让我心动的是男主抱着女主跳进泳池里，哇塞心动心动
最近有点心率不齐，卖拷贝老师用这部电影差点把我送上救护车；想起同样是江郎才尽的动作片导演，钙里奇老师终究在节奏上还保有些许巅峰的影子，卖老师就是彻底摆烂了：全片中后段不时对着驾驶位的二人和车外的警匪一通乱摇胡切直让人怀疑他是不是忘记车厢里还有俩大活人。
国外的霸总小说玛丽苏程度和中国不相上下啊，男主好帅，肉体好美🤩床戏够欲🤩
对十七岁来说有些幼稚了 对七十岁来说刚刚好
en……纯爱电影也不能出现侮辱智商的剧情！
属于看完不好意思标记的那种无脑解压片，成年人的guilty pleasure
完全没有脑子，剧情就像15年前的网络霸总文一样（甚至比霸总文还逻辑差）。不过或许点进来看完的我才是真的没脑子。考前看点没脑子的欧式言情大概是放松吧（看帅哥美女doi确实放松？）
老套的剧情，渣的演技，但我还是看完了...
卖拷贝老三样——彭、啪、砰砰砰！文戏从一开始就全线崩塌，杰克吉伦哈尔都救不回来。人物塑造无力吐槽，一开始以为是群像，后面又像双雄，后三十分钟彻底放弃治疗。亮点可能只在运镜和大场面调度上了，但感觉这方面槽点也不少，还看到穿帮镜头，老吉的AR上那忽有忽无的全息瞄给我整蒙了，搞不懂迈导怎么能沦落至此……
年轻人谈恋爱真不错 各个场景做爱真不错（虽然有点玛丽苏）
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