With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
的确是过目忘，不过脑，画面都很糖水 #过上天天看电影的日子
很老套但是场景设计很美，就是这对太姐妹了惹，磕不起来。
好温暖的圣诞调电影～反正我很喜欢hhhhh
影片讲述了大龄单身青年春节期间被逼相亲、以及被各路长辈亲戚逼婚的甜蜜爱情故事。
Why do I waste my Christmas time on this shit?
甜甜甜！喜欢看 还有黑人小哥好帅！Jennifer还是那么好笑
圣诞滤镜蛮大的，弄得我真的想恋爱了，但的确情绪刻画有些不够自然，还是我实在不懂日久生情的转变？不过还是很欢乐的
队友钢铁直，排斥同性，我都不敢让他看到片中kiss的场面。其实手机直出的雪地特写还是很养眼，很温馨的（真的不是单反？）反正我能接受，真爱没有性别，挺真爱！
唯一认识的演员苏菲大妈，
又到圣诞季～卷完其他国家种族之后，又卷到LGBTQ了～总体还是家庭团聚+好友变情侣那套～不太喜欢男主家人操纵感情的桥段，但还是好喜欢圣诞气氛啊～男主妈妈一开始介绍给健身教练时说男主是水瓶座，可是水瓶座把情人和朋友分很开的呢～
好美好美的感情啊，看到最后真的是很羡慕。不过闺蜜变情侣，属性怎么选，还是有点意思。剧情要是搬到异性恋上算是比较套路而且乏味了，但在通讯录身上却感觉还是比较有新意的。两位男主的表演一看就很像通讯录（男主应该本来就是），演的也比较真实自然，只可惜詹姆斯了，你也会值得更好的！
2.5 故事线简单清新 但确实蛮无聊 打发时间可以看 主配角的颜值倒是很在线
到了我这个年纪，生活太苦，糟心事儿太多了，只想轻轻松松的看点不费脑子，能傻乐呵的剧情。假么？是挺假。希望能有这样的事儿发生么？也是真的希望。所以有人拍出来给我看，就挺开心的了。而且冲着Mark和Luke来看，结果小黑好帅啊！
和想象中一样的爆米花剧，
明明名字叫Single all the way，其实是合家欢圣诞电视电影🎄You Are important！还是被gay couple感动到了
圣诞滤镜蛮大的，弄得我真的想恋爱了，但的确情绪刻画有些不够自然，还是我实在不懂日久生情的转变？不过还是很欢乐的
？完全没看出来两人之间有什么磁力吸引的爱，超级牵强的啊…and最开始的完美情人果然最后都有个大惊喜就是出轨
太老土以至于我一直在大喊救命，为了我最爱的两个卡司只能说辛苦我自己了
梗也太老了吧就因为是bl所以就可以用这种万年老梗吗
过节就得看点cliche happy endings
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