Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.
This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.
仿佛自己也回到了年轻的时候，啦啦队跳舞真的会让人热血沸腾啊！
非常传统和经典的美式高中电影，甚至有点想起来了高中看过的歌舞青春和摇滚夏令营了，故事简单放松，而且温暖人心，讲述高中时期最简单和平凡的生活，也许和年龄无关，一生中最重要的就是我们爱的人和爱我们的人时刻在一起不是么。
奇奇怪怪，不知道想表达什么。女主瘫在床上二十年还能长这么壮实属实离谱
“胖艾米”一如既往的影视谐星形象，轻松的爆米花电影。
ugh never too old to this！
谷阿莫，情节不吸引人，也许胖妹的表演还不错吧。
谷阿莫，情节不吸引人，也许胖妹的表演还不错吧。
如果学生时代的自己能看到这个电影，听到“做自己”，“be real”有多好。小时候对于幸福人生的定义总是如此的简单而现在才会认为真诚是多么的美好。
岁数大了变丑了这事还挺出戏的 这演员看着不舒服 故事还可以 很欢乐 学生时代就是好 是别人的学生时代 我们的高中怎么可能这么轻松 看看得了
没找到好笑的点。。。虽然我一直挺喜欢Rebel，但是她这部剧真的不怎么好看。不过她瘦下来挺迷人的~
就是一个不怎么阳光的童话。几乎可以预测所有情节发展，人物各种脸谱化，尤其是前男友，一副精虫上脑的表演贯穿青少年到中年。最后一句轻飘飘的道歉抹去了这相当于犯罪的伤害，不理解。
madonna's now named.....lady...gaga?
有点虎头蛇尾了，不过还是挺适合下班后看看的。#喜剧 #90sPop
虽然情节真的挺弱智的，大转折几乎都被煽情带过，大反派突然倒戈，有些地方也挺好笑，是不错的爆米花电影，看到结尾竟然还有点泪目？因为现实中如果一个人从17岁昏迷到37岁醒来是一件很可怕很悲剧的事情，但愿能有电影这般美好完满，就好了。虽然但是，这片子比国内的跳舞吧大象好太多太多了，起码开开心心让人看完（微笑脸）。
下饭电影，Rebel是不是和网飞签了电影协议，最近几部这种美国青春高效电影里都有她。。。btw，真的是瘦了很多！
导演想表达的太多了，想表达励志、青春、友情、爱情、人生的追求，想嘲讽女二的那个女儿，搞笑的政治正确作风，想嘲讽女主一心想追到的性感男神其实是个出轨成性的大渣男，咱们就是说，这部电影太杂糅。
看过重返十七岁，倒是头一次看直接穿越到三十七岁，不过和青春倒是丝毫不违和。欢笑和感动同在。
挺欢乐的，好似90-00年代小妞电影，好怀念啊
是我杀了我？
瘦了换了新烤瓷牙的rebel看起来真的很刻薄
Copyright © 2015-2023 All Rights Reserved
