The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
这风格老英国了，一股没有什么预算的味道。男主还挺好看的，前半截还可以(黑白西装那段全篇最佳歌舞)，后半截子可太俗了；回头去伦敦看看剧院版洗洗眼。
2022.4.**男主被警察同事陷害吸毒后能附身当时身边人12小时但无记忆
是爱情片啊，好看。韩国电影的脑洞、创意确实有独到之处。
灵魂每12小时漂移到另一个人身体里，又是失忆，又是猜猜我是谁…揭露黑警毒品交易被注射新型毒品造成的后遗症。
题材真的很有意思，脑洞也挺大，前期真的挺紧张刺激，就是揭晓答案后，后边变成了俗套的黑帮片，没有把这个点子用到最后的大决战上，有点可惜
这还是《人间中毒》里那个林智妍吗，真的没认出来。
但我更喜欢剧院局限舞台的天马行空
能不能找一个会唱的来演电影版主角，please，这是音乐剧
Sometimes it’s okay for musicals to simplify things; but for a movie, simplification is not necessarily a plus
虽然有点乱，但是这么拍想法真是不错。忽略主角更好，没必要非要换那么多次脸
原作就一般，影视化反而彻底丢了舞台的魅力。一切的场景要么太真实，要么假到浮夸，情感上又太虚伪，一首首歌仿佛MV连环展映，走马观花似的把故事匆匆讲完。
最喜欢新的回顾warrior queen那一段，有pose那味了。
A附身B，附身C，附身D，附身E，都是只为保护一个女人。
舞台剧改编成电影在叙事上情节上节奏上都要调整，比较一般
前面看还是挺新颖的后面就糊了。两针扎出超能力我呸。
为孤独的灵魂而来，顺带瞧瞧奸臣和人间中毒的林智妍，不料竟是12小时换1个人身的寻找记忆。#《灵魂脱离者》#，是得了《西游记》三尺神散七窍生烟的真传么？
灵魂脱离者的设定没给电影加分多少，整体就很无聊，最后直接变成虐恋爱情片。「伊安西，撒浪嘿」女主这句仿若古早狗血韩剧的台词，真的很让人出戏。
我觉得他的好朋友可以不死，这样的灵魂穿越在干嘛呢，展现尹启相的演技吗？确实打戏都很流畅
电影需要更多的细节和真实填满
故事讲的有点乱、有点无聊，女主这部里面不出彩。
Copyright © 2015-2023 All Rights Reserved
