"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
我是真的没有认真看，也是因为真的不好看…纯韩式打斗戏，不知道和绑架有什么关系？
好无聊的电影 为了hojung看 结果戏份加起来可能五分钟都没有 害。
这选角是真不行，这绑匪我看着都能30秒内把他打在地上跪着叫爹。
黄政民的演技确实没的说,对手戏的反派角色就有点过于刻意！相比解救吾先生还是觉得国产的更胜一筹！解救吾先生更多的展现了警察办案的快准狠！韩国 版就更多的赋予演员人物属性！
字幕一出就马不停蹄的看了 黄政民作为一个演员武力值也太高了吧 面对绑匪 两个警察都不如一个瘸腿的黄政民 朴成雄的客串也很惊喜啊 brother梗真是过不去了😂
即便是绳艺黄政民这么劲爆的内容，我也是不断拖动进度条才看完的……
韩国的翻拍改编的还可以不像国内直接照搬这点不错
你早点跟人家照相不就没事了。韩版改编的挺有意思，绑架的真的是黄政民本人，影片开头还给黄政民作了介绍，包括朴成雄都是出演的本人。韩国警察全是废物，最后还得影帝自己上阵。结尾还把这事又改编成电影了，心理阴影得多大啊！
看的李瑜美欧尼的第三部作品，迄今为止没有一个角色是幸福一点的(笑)，大叔很帅灰常帅
这部改编的很韩国，和原作两个风格，韩国这部增加很多戏剧性的清洁，个人觉得应该区别对待，他们已经不是一种类型的电影了，国内的偏纪实。摄影灯光是这部电影的优势，说白的就是花钱多，演员的造型感也很强，挺不错的。
黄政民都本名出演了，结果主角光环这么强，连那个女的都没死……
没有黄政民这部最多值一星 这和原版一比 拍的是个啥阿 无力吐槽
冲着黄政民本来想给个四星的。但是看到最后，韩国警察简直就是傻子啊！越往后看，越气到爆啊！这编剧是跟警察有仇啊！
还是可以，没有6.1那么低。这部电影至少应该是6.7的评分。但也到不了8分。很一般一部电影。
我爱黄政民，韩国警察依然是罪犯手里的弹球，随意搓揉。
中规中矩，忠武路工业没能让这个中国剧本焕发新意。
黄叔最近好像一直演这类片子，邪恶中解救我也是这种孤胆英雄类型的，但是这部人质的反派不够出彩，可惜了
我还是觉得吾先生拍的更好，虽然有不少人喜欢韩版的。
我还是觉得吾先生拍的更好，虽然有不少人喜欢韩版的。
黄政民是以真名出演电影最多的演员吧（《舞后》也是）。
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