Acclaimed Mexican-Canadian auteur Nicolás Pereda returns to the Festival with Minotaur, a pendant to his 2009 feature Juntos. Shot in the Mexico City apartment of Pereda's signature actor Gabino Rodríguez, Minotaur is an incandescent chamber piece that observes three thirtysomethings (Rodríguez, Luisa Pardo and Francisco Barreiro) as they sleep, dream, read, and receive visitors (including the housekeeper who takes care of them) in their communal space. A lovely and lethargic spell is cast as an ambiguous, Marienbad-like love triangle emerges among the trio, conveyed through literature (books function as telepathic transmitters and definers of relationships), choreography, and the acute physical presence of the three leads. Extending Pereda's recurring interests in class, social structure and family relations in Mexican society in its wraithlike fantasy of a leisure class that is quite literally sustained in its narcoleptic existence by the ministrations of the domestic help, Minotaur evokes the films of Tsai Ming-liang in its distended naturalism, ritualistic solitude, and creation of a cloistered world suffused with longing. The surreal aura of Minotaur seeps beyond the confines of the trio's apartment into a strange "night without distance" in Lois Patiño's hallucinatory portrait of border smuggling in the Gerês Mountains between Portugal and Galicia. Casting real townsfolk, some of whom were smugglers in their youth, Patiño places their stiffly Straubian presences within cross-processed, multilayered tableaux of rocks, river, and trees — an ever-indeterminate place that has imbibed and borne witness to innumerable, desperate acts of survival. Conjuring an instant in the memory of a landscape filled with ghosts, Night without distance extracts spellbinding fantasy from the real.
除了三人组之外新开发的个性都欠缺想象力，战斗场面比动画高出不少，绿谷最后的大招华丽但毫无逻辑，好在，还挺燃。
這系列真差，祇有打架，沒劇情，主角打不死，最後一口氣爆發，反派弱。純粹給學校裡的男生看的
逻辑硬伤太多了，这麻木也不至于这样…那个坏人吹过 这尼玛拿来立刻又吹……
被抖音推了很多次，有些好奇就看了，但看完却没有什么特别的感觉。总是要给事情一个交代罢了。
清河太可怜啦，那么多年一直被坏人虐待折磨，听到哨声就为了傻傻等待姐姐，痛苦的活着，期间还被姐姐伤害，直到后来抱着姐姐痛哭和救完小孩，那一声嘶哑的“姐姐”，相信所有观众都听得撕心难受。🥺电影方方面面都没毛病啊，为啥分这么低？
比上一部好看真的！吉泽亮的声音和角色都好可爱アジカン的歌好听哭！轟君かっこいい！
陪着妈妈在庄子梦然看的，不然自己是看不下去。情节来说还是有反转的，但是整个拍摄失真，太过于渲染架空的一个村庄，整个电影像在话剧舞台上演的，让人很难入戏。情节不拖沓，也算可以了。
女主我老婆，这波必须满分。
我能想象到的最老套的剧情了，有些镜头我都怀疑是不是导演故意弄得这么老套的，三颗星全给到作画制作上，内容毫无意思，但是画面真的牛🐮。
我记得这个剧本之前看过，不知道买了版权没有，但是后面这个剧情明显是自己改的，这帮人就是拍网大捞钱的，真的烂
作为国产恐怖片，氛围营造不错，故事有头有尾，算及格了
可以啊，绝对可以说是国产cult类电影了，水猴子居然是女主的弟弟，万万没想到！影片中的“水森林”，水面上还飘着绿藻，阴暗的环境中，真是让人望而生畏。
什么破玩意，跟闹着玩似的，很迷惑有人说比第一部好，没看过第一部，第一部是烂成什么样了啊
还可以。制作成本很低，基本都是影棚搭景，惊悚氛围到位，王真儿很适合演惊悚片，穿旗袍的女法医+女猎枪手这形象超A。
恐怖！恐怖！恐怖！为什么给一星呢，因为它的映前试播我看了，吓到我了，而且当时片子整个基调黏糊糊的，真的超级恶心，没有任何标注让我这种不爱这类片子的人看了还提供了个人信息，气死我了，撑着看完我还很认真填完了问卷。☹️
网络，原声，104分钟。
最后还挺感动，氛围也不错，摄影和美术挺吃我的
不反感
剧情和对白，各种莫名其妙的不合逻辑和尬。。。
开场感觉还不错，莫名有以前港片室内景的带入感，然后故事铺开就有点俗了，美术是用了心
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