The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
怎么做到把每个本来可以拍的好看的故事都拍烂的
8、爱美的代价
小男孩很灵很灵，应该多拍。剧情就比较套路化，不功不过的程度。
矿场毒窝暴凌教室，上帝已死阁楼饲养，灯笼心脏变异蜕皮……陀螺监制，怪兽保证，但红脖生活的日常刻画没有导演几部前作好
好多地方看着很恶心的感觉，故事不行用恶心当恐怖凑。不喜欢。
就。。。实在有点一般了，氛围氛围不行，剧情剧情不行，本来可以神神叨叨的内容给你来克制，但你以为厚积薄发结果是个高开低走，寓言吧也是稀里糊涂，就那样吧。。。
恐怖盛宴的材料齊備，但廚師卻似乎不懂得「煮」。
3.5星，降低期望来看整体除了有点赶，其他的都还行。（多0.5星给横滨流星和三浦翔平
2.5. Some atmospheric beautiful shots, decent monster design, metaphors of absent fathers, colonialism, decaying rural areas, etc...do not automatically come together and make a good film.
导演可能是《异形2》的粉丝，怪兽长得像戴了Michael Myers 脸皮的 Alien Queen
不过女演员颜值太爱了
3.5星，还行，至少没有那么多乱七八糟的人性
高度压缩版的小镇美剧，题材和方法都与之类似，没啥新意是肯定的，但还算保持了恐怖的样态。
当成 “披着貘梶皮的貘hal同人” 来看倒还有点意思……
都2022年了，十年前的恐怖片都比这个有逻辑吧 恐怖元素的堆砌罢了
有几个故事有点意思，其它的故事就比较一般，有的完全就是敷衍了事。比昆池岩强上不少，但也就仅此而已，虽然也没被吓到，但创意还行。
【齿虫】寄生虫丧尸🧟♂️宿主寄生在牙里
作为电影最多给个及格分，对路人来说一些设定细节看起来没什么必要，对原作粉来说脱离原作的部分又太多。
有些故事真的是很降智，个人喜欢红衣服和二手家具
其实故事框架与整体氛围还是不错的，导演追求一种懒散与落寞的气氛，只是故事的密度不够，细节与对白欠丰富与精彩，让影片显得拖沓。另外，作为一部恐惧片，让观众太早地猜到了结局，缺乏一种悬疑感与紧张感。
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