Ten years ago, Ginny (Toni Gonzaga), an Architecture student, and Marco (Piolo Pascual), a History professor, began a one-of-a-kind and unpredictable love story. In the five years that they were together, they brought out the best in each other, which included Marco's unrealized dream of becoming a chef. Together, they worked towards their dream of opening up a restaurant, but when Ginny realized her own pursuits were different from his, she rejected his wedding proposal and left the country for a Masters degree in Architecture. At present, Ginny co-owns a one-stop Architecture and Interior Design firm specializing in Restoration. She receives an email from Marco, which was written and sent after their break-up, meant to be read four years later. It makes her feel even more regretful of leaving the love of her life. When their firm receives an offer to restore an old house into a restaurant, she is ecstatic to learn that Marco will be co-owning the restaurant. She takes this as a sign...
7.0/10
没看过原著和电视剧，电影略仓促。演员不错，质感好。🉑
7，高于预期，觉得是马伯庸作品里商业化改编做得最好的，葛大爷戏感太强了，每句台词都是笑点。
请不要给葛优强行加戏。。。剧版还是比电影好看
没看过原著小说，但是感觉电影拍的还不错。既有古董行的传奇故事，又有局中局的悬疑，整体来讲很吸引人。美中不足就是某些情节在配乐细节上的不够，导致对情绪和情境的渲染不够。看到开元通宝的时候，想起我在报国寺卖铜钱的那些时光，还有在报国寺和潘家园看到的那些假古董，挺有意思的一段经历。
两星半。解谜简直闹着玩。选角也不搭嘎，几个人各演各的。
李现太平面了……在一群戏骨里格外尬，辛芷蕾都生动得多
毫无疑问，如果他的评价还不如《盗墓笔记》的话，那一定是观众的问题，有眼无珠，不懂得欣赏好作品
全片不功不过，剪了很多线，有点粗略，
很多特效就像耍小聪明，毫无意义，完全可以靠快速剪辑达到更好的效果，但是要花心思和时间去打磨这几组快切镜头。特效就不一样了，花点钱外包就行，省时间和精力。目前这种有钱就能搞定的暴发户思想，短期在大陆影视行业很难根除
雷佳音总那么邋遢，李现声音有点娘，电影不错，两小时也不觉得漫长。
不好看，只有机关，没有戏剧，然后呢，也没有动作，更没有情感。
乱七八糟，莫名其妙。导演的手法和和风格很是问题……
演员很努力，但是剧本漏洞比较多，难以自圆其说
我觉得挺好看的呀，为什么这么多人打三分？辛芷蕾多好看啊～
咏梅和王庆祥好抢戏。葛优正常发挥。其他人则比较平庸。
怎么最后连爸爸的死都不追究了，两小时就忘了初心
喜欢买衣服改造的部分，〔运镜〕，达到了院线电影和文艺片的平衡，
“阴在阳之内，不在阳之对。”当时看到墙壁上这一行字，我就猜测真佛头藏在假佛头之内。后面从挖墙壁开始都是白费力气，许爸直接告诉许愿不香吗？非得设这么多谜题给儿子解，险些把自家三代单传给葬送了。
一片慌乱，毫不紧张。但是下次雷佳音的电影我还看。
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