Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
桑德拉的亮片衣，塔图姆的屁股，皮特的甩发，还有70岁的哈利
及格了，走的本来就是搞笑的路线，整体没崩，还是有几个地方挺好玩的
三星半。我发现喜剧似乎默认可以让渡逻辑，一些场景让你觉得明显不可能这么发生也无所谓，最近回看老友记也越来越发现这一点，展现戏剧冲突同时让观众一直觉得有趣才是核心。也许这就是喜剧和正剧最大的差别。
本质浪漫喜剧，传统冒险叙事中男女主角分工的调换也很有趣，至少作为一部喜剧让我结结实实笑了很久。另外被钱老板和皮特抬走还可以很潇洒地不回头看爆炸也太好笑了。
探险不像探险，爱情不像爱情，打斗追逐又不够刺激。
桑婆从最拿手的爱情喜剧换到了寻宝路线上就不太灵了，各种俗套和尴尬，最擅长的喜剧元素也消失了大半，论场面和故事呢似乎还不如<神秘海域>，真的就浪费了一个全明星阵容
为什么豆瓣分数那么低orz是我太久没在电影院里看这种类型的好莱坞爆米花大片了嘛，好容易满足，打个五星拉拉分。本来就喜欢寻宝题材，这部的笑点密集到整个厅充斥着我的笑声，简直笑到头掉。卡司如此炸裂，桑婆（真的看不出快60了）+钱老板（一出场的长发造型差点没把我送走）+哈利波特（反派的路上一去不复返）+布拉德皮特（刷完帅就便当了555），大家还一点都没包袱非常豁的出去。小岛风景很不错！有几个BGM很耳熟啊！
三位主演演得奇尬无比，最正常的是客串的皮特，看的时候我一直在想导演是疯了吗？为什么现在的喜剧都要到装疯卖傻这种层次了？其次是翻译字幕真是可真的是小心翼翼，原本有些比较好笑的点，完全避开不讲出来，纯看字幕就更无趣了，能听懂还是有梗在的。（5/10）
较老套的冒险喜剧，比较无聊但笑点还可以，只记住钱老板的屁股了
冒险，喜剧，爱情，没有一点做的好的，我老伴儿都觉得无聊🥱有点浪费卡司
怎么只要Daniel Radcliffe参演的电影都有股怪味…皮特真帅，他在的话真的看不进去塔图姆…
挺流畅的爆米花电影，查宁还是老了啊。风景不错，很美国的冒险喜剧片。
让桑德拉•布洛克和查宁•塔图姆搭伙爱情戏是严重的选角错误，桑德拉•布洛克已经58岁了，这么高龄出演爱情戏实在太尬了，而查宁•塔图姆42岁，二者足足相差16岁，再怎么卖力表演也撞不出爱情火花啊。
作为爆米花来说很合格，比红色通缉令要好，而且钱老板真的还是很可爱，哈哈
总体很一般，虽然喜剧火花的感觉是有，但冒险寻宝的部分太糟，居然也就是皮特客串的一部分拍的最好，
轻喜剧的套路, 几度让我笑出声的桥段, 迷人的主角, 皮特精彩的客串, this movie simply works.
情节简单得近乎儿童片。开头说到火山，就知道最后肯定在火山爆发时逃出来；反派身边的喽啰肯定会一个一个挂掉；当地导游肯定会反水；等等。透明得像杯白开水。
轻喜剧的套路, 几度让我笑出声的桥段, 迷人的主角, 皮特精彩的客串, this movie simply works.
欢乐打酱油，老美的惯常思路，跑别的地方挖掘历史遗迹（非法），但是核心问题是绑架美国人。至于低价奴役原住民，那不算个事……
太好笑了😂钱老板贡献了本片最大看点，皮特便当领的过于草率。丹尼尔真的，典型疯批无脑反派。
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